jeremy said:not as big a bottom as a 59 with a bigger mid voice and a little extra kick on top to make sure it cuts thru
jeremy said:not as big a bottom as a 59 with a bigger mid voice and a little extra kick on top to make sure it cuts thru
I have a PG set in my ec-1000... the bridge can be a little picky at times but I mostly use it with the tone-control set around 7-8... It sounds great that way... To me the PG is the kind of bridge pick-up you have to learn to use your tone control to get it to sound perfect in about any situation... it's really versatile once you get used to it... Just my personnal tastes tho...JeffB said:PG neck= sweet
(in a Les Paul anyway)...
..in the neck position I like it, as it cleans up well, and also can get almost sorta kinda stratty....
I don't like it though in the bridge (again in a Les Paul)...it's entirely too bright/icepicky for my personal tastes..though...hmmm...anyone try it with 300K pots?
theodie said:I wouldnt say the mismatched coils have a whole lot to do with it myself. My PG neck is only .04K difference between the 2 coils. I have seen other pickups that have matched coils that a more different than that. Unless, the coils may be mis-matched becasue of a different wire guage??? I have not heard that though. I think Duncan probally uses a special wind for it and thats how it gets its Mojo.
JeffB said:PG neck= sweet
(in a Les Paul anyway)...
..in the neck position I like it, as it cleans up well, and also can get almost sorta kinda stratty....
I don't like it though in the bridge (again in a Les Paul)...it's entirely too bright/icepicky for my personal tastes..though...hmmm...anyone try it with 300K pots?