Why use a capo?

Lewguitar

New member
Because you can make your guitar sound like this. (If you’re good enough!)

The great Clarence Gatemouth Brown:

 
Re: Why use a capo?

What an under appreciated guy. Put him on that nonreverse Firebird of his and he can really cook. As a side note, my nephew plays the Fallout games and has found one character that he's fairly certain was modeled after Clarence. They sound and look rather similar.
 
Re: Why use a capo?

I sent Undone a reference to Gatemouth. My favorite Blues player of all time. Or Early Jazz player. Or musician. Saw him unclose playing at a blues shack one time. AMAZING player period.

And it takes a helluva lot more than a magic capo to do that. He was totally workin' mojo with his Sax player the night I saw him.
 
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Re: Why use a capo?

What an under appreciated guy. Put him on that nonreverse Firebird of his and he can really cook. As a side note, my nephew plays the Fallout games and has found one character that he's fairly certain was modeled after Clarence. They sound and look rather similar.

Johnny Winter bought that guitar from Gatemouth’s wife when he died.
 
Re: Why use a capo?

You have a hip dad.

He has a bunch of Gate's old LP's of blues, Cajun dance tunes, and jazz (he used to have an orchestra modeled on Count Basie's bunch). Had the pleasure of running sound for him locally back in the 80's on the One More Mile tour. He and the band left for supper after setting up, and told me to do a soundcheck by myself - so I got to play his Firebird (tuned in open D). He had the Firebird, his fiddle, a mandolin, and his harmonica all running through an MXR phase shifter he left on all the time. My favorite albums are Blackjack and the one he and Roy Clark won a Grammy for - Makin Music. The man left behind a 50 plus year career of great performances and recordings. He was an American treasure if you ask me.
 
Re: Why use a capo?

He has a bunch of Gate's old LP's of blues, Cajun dance tunes, and jazz (he used to have an orchestra modeled on Count Basie's bunch). Had the pleasure of running sound for him locally back in the 80's on the One More Mile tour. He and the band left for supper after setting up, and told me to do a soundcheck by myself - so I got to play his Firebird (tuned in open D). He had the Firebird, his fiddle, a mandolin, and his harmonica all running through an MXR phase shifter he left on all the time. My favorite albums are Blackjack and the one he and Roy Clark won a Grammy for - Makin Music. The man left behind a 50 plus year career of great performances and recordings. He was an American treasure if you ask me.
. Absolutely. I saw him only once, when he was recording an Etown show at the Boulder Theater at least 20 years ago. I didn’t pick up on the open tuning thing tho. Did he always play in open D? My acoustic guitars are usually tuned to open D...or open G. Rarely in standard tuning.
 
Re: Why use a capo?

Plus he's doing it on the first fret above the capo with his hand straddling the capo. That's not for sissies.
 
Re: Why use a capo?

Did he always play in open D?

My understanding is that he tuned to open D, and just slid the capo for key changes - even during songs. During the Roy Clark sessions, some of the guys who didn't know Gate were surprised to see him slide the capo when they would change keys on him. They thought they would trick the old guy, but Gate was more hip than they gave him credit for. Many of tunes on Making Music were done in one take, and of course - it won a Grammy for best jazz recording in 1982.

Do yourself a favor and check out some of the vids of Roy and Gatemouth playing on YouTube....

https://www.youtube.com/watch?v=7fv7qjo5nzM

https://www.youtube.com/watch?v=-J7x9er4_3g
 
Re: Why use a capo?

My understanding is that he tuned to open D, and just slid the capo for key changes - even during songs. During the Roy Clark sessions, some of the guys who didn't know Gate were surprised to see him slide the capo when they would change keys on him. They thought they would trick the old guy, but Gate was more hip than they gave him credit for. Many of tunes on Making Music were done in one take, and of course - it won a Grammy for best jazz recording in 1982.

Do yourself a favor and check out some of the vids of Roy and Gatemouth playing on YouTube....

https://www.youtube.com/watch?v=7fv7qjo5nzM

https://www.youtube.com/watch?v=-J7x9er4_3g

Roy’s a terrific guitarist, but he seems to be having a hard time keeping up with Gatemouth.
 
Re: Why use a capo?

No disrespect intended, but Roy Clark was far more than a guitar player. Didnt seem to be having much problem to me
 
Re: Why use a capo?

I cannot find the video on YouTube, but I remember Roy guesting on the Johnny Carson show back in the late 70's... He took off his shoes and socks, and played guitar with his bare feet. He held the pick with one, and fretted with the other. Wasn't a Grammy winning tune, but he sang and played the song without missing a note. Roy LOVED to entertain with his crazy antics! A pal of mine toured with him for a year and reported that he was a consummate pro, and he kept that childlike love of playing string instruments every night. Roy played banjo and mandolin as well as guitar. He was the first country music star to open a theater in Branson, Missouri. It will be a sad day when he finally passes.
 
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