Will anything dethrone the '78?

Chris EmCee

New member
First time poster here, but I've been hanging around awhile. I got a set of Custom Shop 78's wound by MJ about four years ago, and they were the third set up pickups that went in, in quick succession after building my Warmoth Soloist. I was immediately enamored by them, and I didn't even consider taking them out until just recently.

All the "bright boxes", I believe, are checked on my guitar:

Swamp ash body
Roasted maple neck
Ebony fretboard
Stainless steel frets
Original Floyd Rose bridge

People say the 78 is "bright", and yeah, it has some treble for sure, but that's also why it has that beautiful "snarl", and I've found that it's nothing that EQ can't tame (EQ, after all, is there for a reason). The only additional EQ I'm using that isn't on the amp is the tilt EQ on the Empress compressor pedal, and when you add treble, it also takes away low end. 12 o'clock is the "zero" position, and if I put that to 2 o'clock, it's perfect. Anyway, that's the only EQ aside from the tone controls on the UA Lion, and the 78 kills it.

Longer story short, I figured since I was going to be dismantling my guitar (to chase down a noise gremlin), and copper shielding the cavity (I painted it with shielding paint 4 years prior, but copper is more effective), totally redoing and simplifying the electronics circuit, etc., that I may as well try a new set of pickups. The two things I wish the '78 had different about it, was a SLIGHT bit more muscle, just a little bit more juice, and then just a SLIGHT bit tighter on the bottom end. Otherwise, that 78, bridge humbucker especially (they do make a neck pickup for a set, which pairs quite nicely with the bridge, but everybody only talks about the bridge), has served me quite well, and at this point I'm wondering if I shouldn't just stop trying and leave alone that which is not broken.

Styles I play (or try to, anyway) range from the 80's hair metal stuff (Ratt, Motley Crue, Van Halen, that sort of thing) to split tones like some of Prince's rhythm work, to super clean, dreamy ethereal stuff (think shimmer verb pads with reverse delay, etc.), and several things in between (overdriven blues tones, light overdrive tones, etc.), and.....I'm weird in that I don't like owning a bunch of different guitars, so I just do it all on one.

The 78's are a GREAT pickup. In the last two weeks, I have swapped in (and back out) a Pegasus/Sentient set, a Mayhem set, a Suhr SSV+, Suhr Thornbucker+, and a Dimarzio 36th Anniversary PAF, and the 78 bridge pickup has went back in, after trying all of those, and I liked it better by a LONG shot, in all instances.

Now, those were just pickups I had laying around (aside from the Pegasus/Sentient set, I just bought those brand new.). I have an RMA with SD in, and will be emailing them tomorrow for my final decision(s) to swap my Pegasus/Sentient set, and I'm pretty sure I've narrowed it down to the Custom and the Custom Custom (I asked them if I could do two bridge humbuckers, rather than a neck and bridge, since I had two neck humbuckers that I'm pretty happy with...currently the Thornbucker neck pickup is in, and I'm cool with it, it might stay in, if not, I can throw the 78 neck pickup back in there, I've been using it for four years, and it sounds good.). The Custom will go in first. I know it has more juice, and I know it has tighter bottom end, I just DON'T know what it's going to be in the mid frequencies, compared to a 78 as sort of a benchmark, but I'm about to find out. At this point I think I'm being sensitive to what the mids are doing.

I haven't given them my final answer yet, and given the wide array of styles I play, with one guitar, I'm open to suggestions, but I more wanted to get on here and just give some strong props on the 78 pickup, and I'm hoping I will like the Custom. I fear the Custom Custom will be too dark, even though I allegedly have a "bright" guitar, but figured I'd do the SH-5 and SH-11, and forego the SH-14 (Custom 5), because Stew Mac has A5 magnets ready to go if neither of those do it for me, and I can just do a swap, probably on the Custom Custom, as I fear it's going to be too dark sounding.

LASLTY, a QUICK word on the Pegasus/Sentient set - they're a good set, I did like them. I REALLY liked what I was hearing on the overdriven and high gain stuff on the Pegasus. It sounded GREAT, and open, dynamic, cleaned up well, etc.....it just didn't do what I needed it to do on the clean side, which, again, I think I'm being super sensitive to what the mids are doing, and to a lesser extent, the treble frequencies.

If the Custom cleans up nice, has some warmth, and doesn't sound and feel like I've experienced ceramic magnet pickups sounding and feeling (cold, sterile, no character, no pick dynamics, etc. etc.), I bet I'll like it. Anything else I should look into at the last minute? Custom seems to be a very well liked pickup, still, as does the Custom Custom, still. ....and, yes, I'd be lying if I didn't say that the association with Edward Van Halen certainly doesn't hurt.
 
Welcome to the forum!

Well, the CC is mostly mids, with little highs and bass, which is why I like it, but it might be a little dull for you. The Custom and the Custom Custom are the same wind with a different magnet, so it doesn't cost much more to test which one you like. Get one and a magnet to swap out. A Custom uses a ceramic magnet while the CC uses Alnico 2 (a Custom 5 uses Alnico 5).
As far as dynamics go, none of the Custom winds have the dynamics of the lower output pickups, but they are more dynamic than say, the JB or the SLUG.
 
I realize they’re the same wind, I just haven’t done a magnet swap in a decade and I only wanted to do it once. Actually the last time I did was a bottom plate swap on a’59 because the legs were too tall, but either way, I think the A2 CC or the ceramic Custom will get me there.

the 78 has the A2, so the CC might be just the thing I’m hunting for, I’m just concerned about it sounding too dark, but then again I’m reading about people having them in their Les Paul’s, probably all of which have a darker tone than my guitar, and they sound great in those, so who knows, maybe the Custom will be too bright and the CC will win.

anything else I should consider? I can pick two pickups, and they can both be bridge pickups. “If you really like the 78 but you want more muscle and a tighter low end, you should try…”….what?
 
The 78 does sound pretty bright to me. On the slightly warmer end is the Frankenstein Custom Shop one. It sounds more like VH1 to me than the 78. A pickup that does the clean as well as distortion, AND has tons of dynamics is the 59/Custom Hybrid.

Funny thing, I just got the body for my Warmoth Soloist. It will get a CC and Alnico 2 Pro, although I might eventually spring for some Custom Shop Antiquities or something.
 
The CC is not too dark. I have it in an alder bodied Strat w/ maple neck and fingerboard. Vintage Strat trem, single 500K volume control, no tone control. It does have a lot of mids but I tell ya, it is great for filling space and doing all the work you specify. It splits great. I don't split it myself but have in the past. The neck pickup I have it paired with in an Alnico Pro II. I've also used the CC in my Les Paul and it is superb there. Heck, Neal Schon uses it in PRS singlecut guitars.

One of our late members, Lewguitar, compared the CC to the '78. I can't quite remember his one line comparison but it is in the forum archives here. I want to say it was creamy (CC) and crunchy ('78).
 
The CC is not too dark. I have it in an alder bodied Strat w/ maple neck and fingerboard. Vintage Strat trem, single 500K volume control, no tone control. It does have a lot of mids but I tell ya, it is great for filling space and doing all the work you specify. It splits great. I don't split it myself but have in the past. The neck pickup I have it paired with in an Alnico Pro II. I've also used the CC in my Les Paul and it is superb there. Heck, Neal Schon uses it in PRS singlecut guitars.

One of our late members, Lewguitar, compared the CC to the '78. I can't quite remember his one line comparison but it is in the forum archives here. I want to say it was creamy (CC) and crunchy ('78).

That’s really good to hear. Granted, I can’t hear a tick over 13K, or at least not as well as I should up in those frequencies, so that might be part of it, and I’m so tuned in to how that 78 sounds, that so far everything else I installed in the bridge just sounded wrong to me, but again those were just what I had laying around. I look forward to getting the Custom or the CC installed and giving them a go. More girth and a tighter bottom end is what I want, so we’ll soon find out.
 
Funny thing, I just got the body for my Warmoth Soloist. It will get a CC and Alnico 2 Pro, although I might eventually spring for some Custom Shop Antiquities or something.

Awesome. Yeah, I remember quite nearly doing a rear route Strat body, but literally at the last second switched it to a Soloist, and I’m glad I did. That Warmoth is the coolest guitar I’ve ever had, and I’ve owned dozens and dozens over the years.
 
That’s really good to hear. Granted, I can’t hear a tick over 13K, or at least not as well as I should up in those frequencies, so that might be part of it, and I’m so tuned in to how that 78 sounds, that so far everything else I installed in the bridge just sounded wrong to me, but again those were just what I had laying around. I look forward to getting the Custom or the CC installed and giving them a go. More girth and a tighter bottom end is what I want, so we’ll soon find out.

The CC doesn't have the tightest bottom end but it doesn't bother me at all. It's not flabby and it's not super tight. It's there, not as prominent as the Custom would be or the Custom 5. I like it. It works great for me. The BMT controls on the amp are there for a reason, as you said yourself. :)
 
The CC doesn't have the tightest bottom end but it doesn't bother me at all. It's not flabby and it's not super tight. It's there, not as prominent as the Custom would be or the Custom 5. I like it. It works great for me. The BMT controls on the amp are there for a reason, as you said yourself. :)

Understood. The 78 doesn’t have a tight bottom end either, and obviously I love it, but if the CC has just a smidge tighter low end than the 78, it’ll be great as far as that goes. I doubt it will feel any looser or spongier than the 78.
 
See, I don't think the CC has a tighter bass than the 78. The 78 is still sort of scooped with a bump in the treble. The CC is a frowny-face EQ.
 
If you have a noise issue and a shielded cavity, shielding it again is not going to fix it. It's probably a bad solder joint somewhere causing the issue.
 
If you have a noise issue and a shielded cavity, shielding it again is not going to fix it. It's probably a bad solder joint somewhere causing the issue.

Nah, it was neither. The house was already there when I married into it, and I didn’t think to ask, she didn’t think to tell me, but the house is not grounded, built in the 60’s, in spite of it having 3 prong outlets throughout. LOL. That’s okay, I simplified the circuit did away with the coil splits and blower switch, and now it’s nice and happy in that control cavity now (and copper > shielding paint regardless.). Now I need to inquire about getting the house properly grounded I guess.
 
I've never tried the 78, but after at least ten different aftermarket pickups in my Les Paul, I think the Custom is its perfect pairing.
 
I mentioned in a different post, but while I’m waiting for my TB-5 and TB-11 to show up, I bought an SH-16 59/Custom hybrid to try out, and I’m looking forward to it.

My only concern is my angled bridge humbucker route with those mismatched coils. I’m not sure if that positioning will do well with that, and I do use splits (2 HH, 5 way switch), but there’s only one way to find out.
 
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