and my "holy grail" NKT 275 germanium transistors in my fuzzface were acting funny at the show. They warmed up and were doing the sputtery thing that germ fuzzes do. Its not my tone of choice as i like it to stay sharper and tighter, and seeing as there was no bias control, i could not change it. The only thing in my signal chain is the fuzzface and it stays on pretty much all night, so its pretty important to have it working well. Im very dependant on the fuzz acting predictably as im always working with my guitar's volume knobs. When the germ trannies get hot, backing down the volume on the guitar makes it sound like a broken radio, which was not ideal because i usually leave the fuzz engaged even for cleaner sounds. I had to play with the guitar volume (and therefore fuzz) much higher than i normally would.
In the end all was still useable and the gig went well (play the right notes and play with expression the job is pretty much done) , but id rather not have to deal with unpredictable nature of germanium with summer coming up.
Anyway...as a result, much as i love the richness of germanium and will continue to use it in the studio, ive just ordered this as what will hopefully become the hardest working live show pedal in my collection.
...can't wait to try it actually:
In the end all was still useable and the gig went well (play the right notes and play with expression the job is pretty much done) , but id rather not have to deal with unpredictable nature of germanium with summer coming up.
Anyway...as a result, much as i love the richness of germanium and will continue to use it in the studio, ive just ordered this as what will hopefully become the hardest working live show pedal in my collection.
...can't wait to try it actually:
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