Thank you! If you like V30's, they're worth a try for a different yet familiar flavor. But honestly, you can't go wrong with either Cream or Greenbacks. I wouldn't mind playing either.
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Originally posted by Mikelamury View Post
Are you playing metal? That's something I don't play. I usually punk or ska/ punk with a decent amount of gain but no chugging. I like upper mid spikes, when you say loose and saggy are you talking about the low end?
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Originally posted by Rex_Rocker View Post
I think Greenbacks chug alright. I overdid the bass a little on the amp on that clip, but they're pretty good for anything gain, IMO.
They are kinda saggy, true. But honestly, more than saggy, I'd call them dirty.
I think they're a perfect match for EVH and naturally tight-sounding amps. But true, they're kinda fat, so they wouldn't be my first choice for a Rectifier, for example.
Creambacks, on the other hand, have got a cleaner and slightly bigger yet more controlled low-end.
But honestly, most of the CHUNK on Greenbacks or Greenbacks come from low-mids, rather. In the grand scheme of things, they're definitely no T-75's in the low-end department.
I usually have much brighter tone. Personally I prefer G12-30 for that, as they naturally are brighter and tighter. The highs are much better balanced without the edge greenbacks have (It's not apparent in your recording as there isn't those high spikes in your tone.)
With G12-30 I can also dial rest of my gear darker which helps with eq balance."So understand/Don't waste your time always searching for those wasted years/Face up, make your stand/And realize you're living in the golden years"
Iron Maiden - Wasted Years
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I don't have any recordings of my own with Greenbacks, but here's video from Zilla cabs.
Sounds great for most of it, but after 3:10 in video the high mid spike is very prominent, that I so much detest. It literally gives me a headache if I listen it too long."So understand/Don't waste your time always searching for those wasted years/Face up, make your stand/And realize you're living in the golden years"
Iron Maiden - Wasted Years
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Originally posted by Mikelamury View Post
Hmmm... Thanks for the description. I read the descriptions of the speakers on the Celestion website and it says that the greenbacks are better for high gain. Do you find that to be true? I'm trying to decide which 2x12 would be best for high gain stuff.(I play punk) I already have one of their 2x12's with V30's in it, looking to get another 2x12 to go with the one I already have. Basically, I'm asking you which one you think would be better for high gain stuff?
It occurs to me the greenbacks I've used may have been darker simply due to age.
Can't say for sure.
I don't need tight chunk myself, and do prefer a looser low end.
When I play with high gain it's for leads, no chugging..
"You should know better by now than to introduce science into a discussion of voodoo."
.
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Originally posted by Mikelamury View Post
Your the one that pointed me towards my HB 2X12 With V30'S, just repaying the favor! Lol how can they make these cabs so cheap? And these cabs are better Spec'd than the one I have with V30'S. They're made from birch and you can take the back off of them. Definitely a better cab than their old ones.
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Originally posted by Jacew View PostI don't have any recordings of my own with Greenbacks, but here's video from Zilla cabs.
Sounds great for most of it, but after 3:10 in video the high mid spike is very prominent, that I so much detest. It literally gives me a headache if I listen it too long.It's funny how some stories became historic,
especially when the authors clearly wrote them to be metaphoric,
But people will believe anything when it's written in stone or ancient scroll...-Fat Mike
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Originally posted by Rex_Rocker View PostNot IME.
IME, Creambacks are darker and chunkier than Greenbacks. At least the RI ones. The EVH/Heritage Greenbacks are another story.
Not that they're really dark per se, but the RI 25W Greenbacks are pretty ratty in the high mids/highs (compared to Creambacks). That's exactly what gives them their character, especially once you start pushing them.
Creambacks are tighter, yes, but not because they've got less lows, but because they break up less are less ratty overall.
I've had them both in my old Marshall cab. Both Creambacks and Chinese and British RI Greenbacks.
I *personally* prefer the ratty character of Greenbacks, but Creambacks would by my second choice. I prefer them both to V30's. In the room, at least. Recorded, that's a tough call. V30's are THAT sound.
Compared to V30's, Greenbacks/Creambacks are more balanced. Chunkier in the low mids, not as honky in the core mids, and the higher end isn't really *more*, but it's more open-sounding compared to the V30's midspike, so they can come off as smoother, IMO.
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Originally posted by Mikelamury View Post
Thanks for the description, I think I'm starting to lean more towards the greenbacks from what I'm hearing so far. I don't really play clean alot of the time and always use a good amount of gain.
There are two creambacks. The 65 and 75. They are completely different. I prefer the 75 but what's wrong with your v30 cab? They're great speakers.
65 vs 75 creamback comparison
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Originally posted by esandes View Post
For your style of music I think you'd be making a mistake using greenbacks. Great for blues, cleans or ACDC but flubby for high gain palm mutes and weak for wattage.
There are two creambacks. The 65 and 75. They are completely different. I prefer the 75 but what's wrong with your v30 cab? They're great speakers.
65 vs 75 creamback comparisonIt's funny how some stories became historic,
especially when the authors clearly wrote them to be metaphoric,
But people will believe anything when it's written in stone or ancient scroll...-Fat Mike
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Originally posted by Rex_Rocker View Post
I think Greenbacks chug alright. I overdid the bass a little on the amp on that clip, but they're pretty good for anything gain, IMO.
They are kinda saggy, true. But honestly, more than saggy, I'd call them dirty.
I think they're a perfect match for EVH and naturally tight-sounding amps. But true, they're kinda fat, so they wouldn't be my first choice for a Rectifier, for example.
Creambacks, on the other hand, have got a cleaner and slightly bigger yet more controlled low-end.
But honestly, most of the CHUNK on Greenbacks or Greenbacks come from low-mids, rather. In the grand scheme of things, they're definitely no T-75's in the low-end department.Guitars:Gibson LP Trad ('57 Classics); Ibanez SEW761FM (TB-16/STK-S7 m&n); Charvel DK24 (TB10/SSL-6/A2Pn), DK22 (HRb/SSL-6 m&n), SoCal Style1 (Distortion set) & SoCal Style2 24 2PT (Fluence OCC); ESP LTD MH-1000HS (TB-14/Lil59n); Effects: Line 6 Helix Floor, Digitech Drop & FreqOut, ME EP-1L6,Shure GLXD16, Headrush MX5;
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Originally posted by Synapsys View Post
Great AILD riffing, btw!
Many people think the TEOH record is the ultimate metalcore tone. I think its Shadows Are Security. So Swedish-sounding. So much grind and chunk.Last edited by Rex_Rocker; 02-14-2023, 01:33 PM.
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Originally posted by Rex_Rocker View PostThank you! I love the tone on that record so much.
Many people think the TEOH record is the ultimate metalcore tone. I think its Shadows Are Security. So Swedish-sounding. So much grind and chunk.Guitars:Gibson LP Trad ('57 Classics); Ibanez SEW761FM (TB-16/STK-S7 m&n); Charvel DK24 (TB10/SSL-6/A2Pn), DK22 (HRb/SSL-6 m&n), SoCal Style1 (Distortion set) & SoCal Style2 24 2PT (Fluence OCC); ESP LTD MH-1000HS (TB-14/Lil59n); Effects: Line 6 Helix Floor, Digitech Drop & FreqOut, ME EP-1L6,Shure GLXD16, Headrush MX5;
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