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Tasmanian Myrtle

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  • Tasmanian Myrtle

    while waiting for the lacquer to fully harden on the OM Florentine...

    been three and a half weeks now and still not quite ready...

    I kept a bit busy..

    This is a piece of Tassie myrtle that is at least 80 years, but probably older.
    I got it when AFT closed down and Lloyd (the owner) let me into his grandads shed, his grandfather started the business back in the very early 1900's..

    I have had it sitting for a while, so time to cut up the plank..

    Plank cut



    Sides and back resawed




    Panel joining jig made



    Back being joined



    Sides in the form with headblock and splints



    Back



    inside of the back....



    Rosette.. the top is Englemann spruce..



    Rosette close up




    top is cross braced, tomorrows job is to shape the braces..
    www.crossleyguitars.com

  • #2
    Re: Tasmanian Myrtle

    love the figure on that myrtle! how does it typically sound?

    Comment


    • #3
      Re: Tasmanian Myrtle

      Peter, I love the fact that you use mostly local woods and, like in this specific case, a lesser known species. I can't wait to her perform!

      The best of luck in all your endeavors!

      Yours very truly,

      /Peter
      Last edited by Discharged; 10-02-2018, 11:57 AM.
      Peter Pedersen aka Discharged
      Kolding, Denmark

      Comment


      • #4
        Re: Tasmanian Myrtle

        Wow....just, WOW.
        I am in awe of what you do. That will be an absolutely gorgeous guitar.

        Comment


        • #5
          Re: Tasmanian Myrtle

          Hey maybe you'd know....why DO builders choose a softwood for acoustic tops? Why not maple or something?
          "New stuff always sucks" -Me

          Comment


          • #6
            Re: Tasmanian Myrtle

            Originally posted by Adieu View Post
            Hey maybe you'd know....why DO builders choose a softwood for acoustic tops? Why not maple or something?
            Resonance mainly, archtop builders quite often do use maple for their tops, and Martin make a range of all mahogany guitars..

            Spruce has a great sound transmission factor.. it works for violins, and pretty much all stringed instruments.
            www.crossleyguitars.com

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            • #7
              Re: Tasmanian Myrtle

              top bracing shaped and cross patch on X brace



              Note the added DNA factor......Luthiers blood.... hehehe....
              www.crossleyguitars.com

              Comment


              • #8
                Re: Tasmanian Myrtle

                Originally posted by jeremy View Post
                love the figure on that myrtle! how does it typically sound?
                it has almost the identical specific density that American Maple has.. so the sound is bright, maybe the myrtle has a touch of glassiness about it, its old growth, so the grain is tight.
                www.crossleyguitars.com

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                • #9
                  Re: Tasmanian Myrtle

                  Amazing skills! So, how do you cut wood in half along its "thin" side like that? What kind of saw would that be?

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                  • #10
                    Re: Tasmanian Myrtle

                    Originally posted by ArtieToo View Post
                    Amazing skills! So, how do you cut wood in half along its "thin" side like that? What kind of saw would that be?
                    with one of these, a re-saw bandsaw with a 6" riser block

                    www.crossleyguitars.com

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                    • #11
                      Re: Tasmanian Myrtle

                      Originally posted by Peter Crossley View Post
                      Note the added DNA factor......Luthiers blood.... hehehe....
                      Wow, it reminds me of "The Red Violin" movie.

                      Cool project!

                      Comment


                      • #12
                        Re: Tasmanian Myrtle

                        Originally posted by Adieu View Post
                        Hey maybe you'd know....why DO builders choose a softwood for acoustic tops? Why not maple or something?
                        Because softwood doesn't mean a soft wood. Its one of the benefits of actually knowing horticultural terms.

                        Comment


                        • #13
                          Re: Tasmanian Myrtle

                          Originally posted by Peter Crossley View Post
                          with one of these, a re-saw bandsaw with a 6" riser block
                          That still would require some skill. I have a small bandsaw, and there's no way I could cut that, that straight.

                          Originally posted by AlexR View Post
                          Because softwood doesn't mean a soft wood.
                          Doesn't "softwood" simply means that it has needles rather than leaves? I think I read that somewhere.

                          Comment


                          • #14
                            Re: Tasmanian Myrtle

                            There are a lot of interesting colors in that wood. I don't know much about it, but it sure is pretty. I also dig using locally sourced woods.
                            Administrator of the SDUGF

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                            • #15
                              Re: Tasmanian Myrtle

                              Originally posted by ArtieToo View Post


                              Doesn't "softwood" simply means that it has needles rather than leaves? I think I read that somewhere.
                              Yep, Softwood = Conifer
                              Hardwood = Flowering plant

                              So you get some incredibly stiff softwoods with tight grain......which is why they are used for acoustic instrument tops as they maintain a good deal of strength/projection ability despite the thin cut.
                              Amongst the 'hardwoods' you have Paulownia, Basswood, Poplar and of course, Balsa

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