Any YouTube video explaining why you can use/how to apply it for example playing an A minor pentatonic scale over a C chord progression? Don't how to explain it. I thought that if you're in the key of C you have to play scales that are in C?
Announcement
Collapse
No announcement yet.
Music theory question
Collapse
This topic is closed.
X
X
-
Re: Music theory question
A minor is the "relative minor" of C Major
Every major key that you play a song in, the relative minor scale is the optimal blues pentatonic scale -it's always 3 half steps down. So if a song is in G Major, solo in the E minor pentatonic. If the song is in D Major, solo in the B Minor Pentatonic.
Got it?
Of course this just the basics and there's a crazy amount of options outside of this -but this is the very basics you need to know.“For me, when everything goes wrong – that’s when adventure starts.” Yvonne Chouinard
-
Music theory question
Originally posted by NegativeEase View PostA minor is the "relative minor" of C Major
Every major key that you play a song in, the relative minor scale is the optimal blues pentatonic scale -it's always 3 half steps down. So if a song is in G Major, solo in the E minor pentatonic. If the song is in D Major, solo in the B Minor Pentatonic.
Got it?
Of course this just the basics and there's a crazy amount of options outside of this -but this is the very basics you need to know.
In C you would shoot to resolve on C, E, and G. (Not including the 7th for simplicity).
In Am your shoot for A,C,E.
And of course, this is the tip of the iceberg. It only get deeper from here. Lol
Comment
-
Re: Music theory question
A minor pentatonic = 1 b3 4 5 b7 of A = A C D E G
C major pentaonic = 1 2 3 5 6 of C = C D E G A
As mentioned, the same notes in both scales which is why it sounds like it works. You just have to remember not to target the A root note of A min pentatonic . . . it's pretty natural to play a minor pentatonic lick and end on the root note, but the A ends up sounding like a 6th of the C major scale which will not sound as strong for a phrase resolution as landing on the C, E, or G.Join me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
Comment
-
Re: Music theory question
Originally posted by Clint 55 View PostA minor pentatonic haz the exact same notes as C major pentatonic. That's why it works.
Really if you think about it, a song written with only the chords C and A minor -really is a one chord song with 2 chord voicings.“For me, when everything goes wrong – that’s when adventure starts.” Yvonne Chouinard
Comment
-
Re: Music theory question
Well, C major and A minor are the same notes. A minor pentatonic and C major pentatonic have the same notes. Those keys also contain the same chords. That's why it works.Administrator of the SDUGF
Comment
-
Re: Music theory question
As already mentioned, both scales are the same notes. Solos usually heavily rely on 1, 3, 5, as resting notes, which are C, E, G in C major and A, C, E in A minor. Depending on your phrasing, it can be unclear from the listeners perspective which key you're soloing in.
What you hear as the root in a song depends on a lot of things, like where a chord progression starts or ends and how it changes throughout the song. If the chord progression isn't firmly rooted (somewhat subjective), the solo can definitely be enough to pull it over from C to A.
Sent from my BlackBerry using Tapatalk
Comment
-
Re: Music theory question
Now - why does an Am work over a C7 chord?!?!?!?!?
- It SHOULDN'T, but it DOES!!!! BWahahahahahaOriginally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
Comment
-
Music theory question
Originally posted by Aceman View PostNow - why does an Am work over a C7 chord?!?!?!?!?
- It SHOULDN'T, but it DOES!!!! BWahahahahaha
The 7th of C7 is B. B is the 2nd of Am. It’s all within both keys.
In Am, B isn’t exactly a good note to land on for resolution but it completely works in C, especially in a bluesy setting.
Revision:
Diatonic to C, the correct chord would be Cmaj7.
If you play C7 (Dominant) and solo with Am penta, there is neither a B or Bb in the scale, so you sort off “skirt around” the issue of the B (or Bb note).Last edited by Gtrjunior; 05-19-2019, 05:07 AM.
Comment
-
Re: Music theory question
Originally posted by Aceman View PostNow - why does an Am work over a C7 chord?!?!?!?!?
- It SHOULDN'T, but it DOES!!!! BWahahahahaha
If we are talking about an Am pentatonic scale, it avoids the Bb/B (or B/H) clash that might arise from use of the full A minor scale.Last edited by Sirion; 05-18-2019, 07:25 AM.
Comment
-
Re: Music theory question
Originally posted by Sirion View PostAm7/C is a fine chord, isn't it? Just be careful with the spacing and the resolution.
If we are talking about an Am pentatonic scale, it avoids the Bb/B (or B/H) clash that might arise from use of the full A minor scale.
Comment
-
Re: Music theory question
The real reason is that we are so used to hearing minor pentatonic soloing over chords with a major 3rd and minor 7th that it sounds perfectly normal even though it is 'wrong' theory-wise.Administrator of the SDUGF
Comment
Comment