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Reverse angled Strat bridge

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  • #31
    Originally posted by St_Genesius View Post
    It's always seemed preferable to me: warm up the top strings and make the bottom ones twangier.

    Only model I recall having it, though, was the Hendrix sig. Maybe there have been others.
    I concur, I like the enhanced clarity of the lowest notes, and the (slight) ‘rounding’ of the upper range of notes.


    Sent from my iPhone using Tapatalk
    >Matt

    http://www.soundcloud.com/mattherman
    http://www.soundcloud.com/stormdoor
    http://www.soundcloud.com/disonova

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    • #32
      Not terribly different IME. I hear it when I listen intently for it, and I don't when I just play.
      Originally posted by crusty philtrum
      Anyone who *sings* at me through their teeth deserves to have a bus drive through their face
      http://www.youtube.com/alexiansounds

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      • #33
        Originally posted by St_Genesius View Post
        Angle and output seem like very separate issues...
        Higher output softens the highs that tend to piss people off about the traditionally slanted bridge pickup in a strat.
        Join me in the fight against muscular atrophy!

        Originally posted by Douglas Adams
        This planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.

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        • #34
          Can't imagine it does anything to twang-up the low strings.

          Originally posted by GuitarStv View Post

          Higher output softens the highs that tend to piss people off about the traditionally slanted bridge pickup in a strat.
          ---------------------------
          The most popular thread I've ever made was 1) a joke and 2) based around literally the most inane/mundane question I could think of. That says something about me, or all of you, or both.

          https://forum.seymourduncan.com/show...or-for-a-Strat

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          • #35
            Originally posted by St_Genesius View Post
            Can't imagine it does anything to twang-up the low strings.
            It does not. But I've never actually hear someone complaining about the bass strings of a strat bridge needing to be more thin, twangy, and less powerful. :P
            Join me in the fight against muscular atrophy!

            Originally posted by Douglas Adams
            This planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.

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            • #36
              Originally posted by St_Genesius View Post
              Can't imagine it does anything to twang-up the low strings.


              In my experience, in my low tuning, the coil’s position being closer to the bridge very nicely subdues the fundamental of the notes in relation to the overtones, and enhances the ‘steeliness’ of the lower range.

              Personal preference, but I really like it.


              Sent from my iPhone using Tapatalk
              >Matt

              http://www.soundcloud.com/mattherman
              http://www.soundcloud.com/stormdoor
              http://www.soundcloud.com/disonova

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              • #37
                That’s how I do it. I also like P bases with the pickup reversed. It sounds more even across the strings.

                (Yes, there’s no pickups in the guitar. )



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                • #38
                  when i built basses, i flipped the p bass pups and liked the results for the same reason

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