Originally posted by TeleJr24
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Of course if you have just one buffer in there maybe mid chain that does the deal as well or you might find putting a buffer between two pedals that do not like each other fixes the sonic issue.
Quality is a personal issue and if you're more of a top shelf gear strive'r, a use what you have, or a bargain hunter of cheaper stuff. There is always a solution, just depends on what you want and how far you want to take it. For ages I never knew what a buffer or bypass even was or anything technical about it. Never hurts to learn. BTW, a simple test of true bypass is if the pedal passes a signal with no battery or power to it. If it does not you are dealing with a buffered circuit.
I think it's time to discuss the way Hendrix ran his rig and how he used cap loading to pull off his tinny high end from those old Strats with not so amazing pickups.
He used a 20ft curly cable which in those days were not the high quality copper and better shielding we can get today. It rolled off his high end and the mids and lows got buried in his amp volume. He used to do this trick using the Fuzz Face as there was not such thing as overdrives back then or relatively any significant pedals to speak of, Roger Mayer and Hendrix are due credit for starting the real pedal craze age of the guitar.
Anyway, Jimi would get his Fuzz set to where it sounded good to him and roll off his guitar volume till the fuzz stopped clipping, this was his clean sound that was always so good. He was creating a quasi clean boost/overdrive with what was available. Back in that era quality control was a joke, especially on things like pedals, no two of them ever really sounded exactly alike. Things with buffered circuits like the old Univibe were horrible tone suckers and no two of them sounded the same. So when you see an old vintage wonder for mega bucks you might consider some of them did not sound that great when they were new much less many decades down the pike.
Hendrix would often go through a box of Dallas Arbiter Fuzz Face's trying to find any that had the perfect by chance magic diodes that worked the best.
So he rolled off the brittle high end of his Strat and used the Fuzz Face as a clean boost and made the best of any present buffers the best he could.
He also used the Vox wah as he said the Crybaby did not do well in front of the Fuzz Face, which was a buffer issue.
Old style fuzz circuits are made to react to the guitars high impedance signal, they do not do well with most buffers. More modern fuzz circuits can handle low impedance.
All I can recommend is you just try the buffer thing and maybe in several applications you might be surprised how it helps or that you do not need it. Never hurts to experiment a little.
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