As some of you may know, I have recently made and acquired some guitars and pedals... and now I'm having a little trouble with my sound. I think the problem has two basic elements that I'm hoping to fix with one solution, but I'll outline what I have to work with first.
For what it's worth, the G5's internal chain is:
The belt-clip boost is my own little contraption for giving me a solo boost when I'm not near my board, so it's usually not on. I'm not terribly concerned about the C9, the Black Arts, or the G5 because they're all only active when the effect is needed as well.
My first problem is that I need to boost the signal of the three aforementioned guitars into the rig, otherwise I have to boost the gain on all the distortions in order to get to the amount of dirt I want out of each one. The PB100 boosts the signal just fine in order to get there, but it's a different level than where I would use it for boosting a split coil up. The other problem is that, while I like the sound of the distortions from the Twin Overdrive, I think it's making my whole signal a little too thin by the time it gets to my amp. The PB100 has a bass & treble control, but they're too heavy-handed.
I was looking at the Source Audio Programmable EQ last night, and I'm thinking it might help me solve my problem. It has four programmable settings which include total output, so I could have it ready to go for different guitars AND adjust the tone to compensate for the tone of the distortion.
Question 1: Do you think this will work?
Question 2: Where would it (and possibly the PB100) go in the chain?
I'm thinking of leaving the PB100 at the front, continuing to use it for split coils and OOP. Then the EQ... or maybe have the EQ (or the PB100) AFTER the Twin Overdrive to beef up the tone. The goal is to be able to have the ability to compensate for the tone, for different guitars, and for split coils all without having to bend over and make adjustments... just a quick pedal-tap.
Thanks boys and girls!
- Guitars: Until a few months ago, all my guitars had similar output levels to one another making it pretty easy to switch from one to another mid-gig without a huge change in how the rest of my rig reacted... just a change in the sound of the pickups themselves. Two of my builds feature single coils (a Strat with typical SSS setup and a mutt with a set of GFS Dream 90s... HB-sized P-90s, but still very jangly with lower output like a typical single coil). My newest addition, an Ibanez Artist AR325 has Super 58s which sound great, but are more PAFish in terms of output. I generally take three guitars to a gig (my BC Rich 10-string and two 6-strings) and I like to "spread the love" among my other guitars, taking turns with them in terms of which ones go with me.
- Pedals: The previous incarnation of my rig was:
- guitar -> AKG Perception Wireless SR45/PT45 -> Behringer PB100 PreAmp Booster -> Zoom G5 (modeler & effects) -> Fender Champion 100 (clean channel only w/ reverb)
I've always used the PB100 to give a little boost to my signal when using split coils or OOP and keep the level similar to the series humbuckers. I liked the sound I got, but wanted to have more flexibility for distortions without having to change banks on the G5 all the time. I decided to use the G5 for a configuration that would allow me to leave it on one bank with the effects I wanted readily available, buy a pedal board, and add other pedals in the positions I wanted them. My new rig goes like this (new stuff in orange):
- guitar -> belt-clip boost (S-D Pickup Booster Circuit) -> AKG Perception Wireless SR45/PT45 -> Behringer PB100 PreAmp Booster -> Morley PDW-II Distortion-Wah-Volume -> Electro-Harmonix C9 Organ Machine -> GFS Twin Overdrive -> Zoom G5 (effects only) -> Donner Black Arts Multi-Digital Delay -> Fender Champion 100 (clean channel only w/ reverb)
For what it's worth, the G5's internal chain is:
- [*=1]6-band EQ -> Marshall Guv'nor (dirt) -> Phaser -> Cry (talk box-ish) -> Tremolo -> Flange -> Pitch Shift Harmonizer -> Chorus
[*=1]note: the only thing that's always on is the EQ
The belt-clip boost is my own little contraption for giving me a solo boost when I'm not near my board, so it's usually not on. I'm not terribly concerned about the C9, the Black Arts, or the G5 because they're all only active when the effect is needed as well.
My first problem is that I need to boost the signal of the three aforementioned guitars into the rig, otherwise I have to boost the gain on all the distortions in order to get to the amount of dirt I want out of each one. The PB100 boosts the signal just fine in order to get there, but it's a different level than where I would use it for boosting a split coil up. The other problem is that, while I like the sound of the distortions from the Twin Overdrive, I think it's making my whole signal a little too thin by the time it gets to my amp. The PB100 has a bass & treble control, but they're too heavy-handed.
I was looking at the Source Audio Programmable EQ last night, and I'm thinking it might help me solve my problem. It has four programmable settings which include total output, so I could have it ready to go for different guitars AND adjust the tone to compensate for the tone of the distortion.
Question 1: Do you think this will work?
Question 2: Where would it (and possibly the PB100) go in the chain?
I'm thinking of leaving the PB100 at the front, continuing to use it for split coils and OOP. Then the EQ... or maybe have the EQ (or the PB100) AFTER the Twin Overdrive to beef up the tone. The goal is to be able to have the ability to compensate for the tone, for different guitars, and for split coils all without having to bend over and make adjustments... just a quick pedal-tap.
Thanks boys and girls!
Comment