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What I need:
Suggestions on the best way to split my signal to run to my lead singer's voicelive 2 for some of the extra harmony parts.
What I use:
Wireless to my board, then use a pedal snake for running to the amp, then the loop back to my board for the chorus and delay, then back to the amp. It's a 4 line snake and I use one line back to the amp, one line for the loop, TRS cables at each end one for pedal power. That leaves one line free. I do have an old Morley ABY, but that results in a some lost signal strength when both sides are engaged.
My thoughts:
A. Run a buffered splitter with one side going to his voicelive 2 and one going through my normal signal path. (would need to buy a buffered splitter, but that isn't a deal breaker)
B. Running out the slave out of my amp, back through the snake, then an extension to his voicelive 2. (I think I have all of the parts but seems like more connections to make, and potential stuff to misplace, at a gig)
Suggestions on the best way to split my signal to run to my lead singer's voicelive 2 for some of the extra harmony parts.
What I use:
Wireless to my board, then use a pedal snake for running to the amp, then the loop back to my board for the chorus and delay, then back to the amp. It's a 4 line snake and I use one line back to the amp, one line for the loop, TRS cables at each end one for pedal power. That leaves one line free. I do have an old Morley ABY, but that results in a some lost signal strength when both sides are engaged.
My thoughts:
A. Run a buffered splitter with one side going to his voicelive 2 and one going through my normal signal path. (would need to buy a buffered splitter, but that isn't a deal breaker)
B. Running out the slave out of my amp, back through the snake, then an extension to his voicelive 2. (I think I have all of the parts but seems like more connections to make, and potential stuff to misplace, at a gig)
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