Originally posted by RanchManSandy
View Post
Announcement
Collapse
No announcement yet.
Boss IR-2?
Collapse
X
-
Administrator of the SDUGF
- Likes 1
-
Just to put a little perspective on this "Amazing" new thing.
In 2005-ish, I got a Roland Cube 30. I still play the crap out of it today.
JC120 sound was really great
Nice Blackface Twin clean
The Tweed...just not my zone. Can't say
I dig the Vox AC30 for Pop-rock
Classic stack is meh
The 5150 sound, however, is awesome for a range of metal
And the recto setting, doesn't have a real Mesa character, IMO, but it can bring TuH BruuTahlZ
So other than better IR's for the cabs...this is not really new. Good sounds are good sounds.
You can do a lot with Bass/Mid/Treble and a Gain knob on a base sound...Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
Comment
-
Originally posted by 8eezrule View PostMy thing with all the digital sims and all that is, a lot of bands are recording with them....and a lot of bands have exactly the same sound.Administrator of the SDUGF
- Likes 1
Comment
-
To add to Aceman's statement of this being around a while, let's go back even further. Hysteria was recording using Rockman's direct to the board.
I'm using an ampless setup every Saturday and Sunday morning for worship group rehearsal/service. I'm ampless at home when I practice using Amplitube on my Mac with a Focusrite Scarlett Solo interface. My amp gets used at my cover band's live shows and that's it, or when I'm doing a gear check a day or so before a show. I use an amp that's already in our rehearsal space when we are rehearsing.
If it sounds good, it is good.
- Likes 1
Comment
-
Originally posted by 8eezrule View PostMy thing with all the digital sims and all that is, a lot of bands are recording with them....and a lot of bands have exactly the same sound.
Originally posted by Mincer View PostI thought the same in the 80s with the JCM800.
- Likes 1
Comment
-
Yeah, in the 80's everyone started sounding the same when they started having those refridgerator sized racks built with all the digital preamps delays, etc. I guess it's a viscious cycle... and as stated, the producers and engineers wanted everyone to sound like(insert famous 80s band name).
Comment
-
Sounds like this may be the ticket for me then. Don't really need one now, I don't know enough people in my new area yet to form a band, but I will need one eventually."If you can't fly then run, if you can't run then walk, if you can't walk then crawl, but whatever you do you have to keep moving forward."
MLK Jr.
- Likes 1
Comment
-
Originally posted by Mincer View Post
I thought the same in the 80s with the JCM800.--------------------------------------------------------
1973 Aria 551
1984 Larrivee RS-4 w/ EMG SA/SA/89
1989 Charvel 750 XL w/ DMZ Tone Zone & Air Norton
1990's noname crap-o-caster plywood P/J Bass
1991 Heartfield Elan III w/ DMZ mystery pups
1995 Aria Pro II TA-65
2001 Gibson Les Paul Gothic w/ PG-1 & SH-8
- Likes 1
Comment
-
Originally posted by Coma View Post
And I wouldn't mind never having to listen to another Tube Screamer > 5150/Recto > v30 again. Does it work? Evidently. Is it interesting? Hell no.Administrator of the SDUGF
Comment
-
Originally posted by Mincer View Post
That's the problem with 10s of thousands of guitarists chasing the same tone instead of finding their own.
Take it to the limit
Everybody to the limit
Come on Fhqwhgads
Comment
-
I think we as guitarists generally overemphasize the "sound" part of "finding your own sound". Very little of a guitar players sound comes from their gear, but rather how they play it. Kurt Cobain was wonderful at this. You could put that man on anything and it would still sound like him.
Trying to find circuits that make a sound you like is one thing, but you can't buy a stairway to heaven.You will never understand How it feels to live your life With no meaning or control And with nowhere left to go You are amazed that they exist And they burn so bright
Whilst you can only wonder why
Comment
-
Originally posted by Seashore View Post
You could say the same thing about people buying a Boss pedal with a handful of amp and cab models and going direct instead of exploring the infinity of little differences that come from actually miking a cab in a room.Administrator of the SDUGF
Comment
-
Originally posted by Chistopher View PostI think we as guitarists generally overemphasize the "sound" part of "finding your own sound". Very little of a guitar players sound comes from their gear, but rather how they play it. Kurt Cobain was wonderful at this. You could put that man on anything and it would still sound like him.
Trying to find circuits that make a sound you like is one thing, but you can't buy a stairway to heaven.--------------------------------------------------------
1973 Aria 551
1984 Larrivee RS-4 w/ EMG SA/SA/89
1989 Charvel 750 XL w/ DMZ Tone Zone & Air Norton
1990's noname crap-o-caster plywood P/J Bass
1991 Heartfield Elan III w/ DMZ mystery pups
1995 Aria Pro II TA-65
2001 Gibson Les Paul Gothic w/ PG-1 & SH-8
Comment
Comment