I used my McCarty last night with the band. It currently has a set of PATB-1 pickups in it. Yeah, I know they are for tremolo guitars, but I wanted to see what they sound like. The PRS string spacing is almost the same as my Floyd guitars and I've always used a Trembucker spaced pickup in the bridge.
Anyway, I really like the tones, but not quite what I'm looking for out of this guitar.
I love the expressiveness of the PATB-1n, but want more touch sensitivity and slightly less output for more clean playing.
I'm thinking Pearly Gates neck or ???
I had an Alnico II Pro in the neck for years and really liked it, but want something a little hotter with more harmonics.
I especially loved how clear and concise every note was with the Alnico II Pro.
For the bridge, I don't want anything too bright, but I want serious harmonics (ala EVH) incredible sustain and warm crunchy distorted sounds.
What do you guys think? Am I on the right track?
I play a Rivera S-120 combo amp. Think, Fender Tweed/Blackface cleans with lots of sparkle and Serious EL34/6L6 (stereo amp EL's on one side, 6L's on the other) distortion.
The music my band plays is somewhere between STP (distorted odd chords), Rush, Incubus, Widespread Panic and Pat Benatar. Pretty odd mixture of cleans and distortions. I probably change amp channels about 3-4 times in most songs, up to 8-10 in others.
Anyway, I really like the tones, but not quite what I'm looking for out of this guitar.
I love the expressiveness of the PATB-1n, but want more touch sensitivity and slightly less output for more clean playing.
I'm thinking Pearly Gates neck or ???
I had an Alnico II Pro in the neck for years and really liked it, but want something a little hotter with more harmonics.
I especially loved how clear and concise every note was with the Alnico II Pro.
For the bridge, I don't want anything too bright, but I want serious harmonics (ala EVH) incredible sustain and warm crunchy distorted sounds.
What do you guys think? Am I on the right track?
I play a Rivera S-120 combo amp. Think, Fender Tweed/Blackface cleans with lots of sparkle and Serious EL34/6L6 (stereo amp EL's on one side, 6L's on the other) distortion.
The music my band plays is somewhere between STP (distorted odd chords), Rush, Incubus, Widespread Panic and Pat Benatar. Pretty odd mixture of cleans and distortions. I probably change amp channels about 3-4 times in most songs, up to 8-10 in others.
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