Ladies & Gents,
I am considering an SH-2 Bridge position. The info implies that although a touch louder, it still maintains it same tonal mark, Example: 6/4/9. Say that it does keep its' same tonal footprint, how is upping the level done? A Stronger A5, an extra hundred laps of wire, a little of both (thereby making it almost certainly a proprietary method). This is for a very dark sounding instrument.
My Seths' seem to lose some sparkle in this guitar. I like the SH-2 very much where it is, and I bet it would make a great bridge 'bucker in a dead guitar. It is the wood, not the electronics.
Thanks as Always,
The guy who likes all kinds of answers.
Steve Buffington
I am considering an SH-2 Bridge position. The info implies that although a touch louder, it still maintains it same tonal mark, Example: 6/4/9. Say that it does keep its' same tonal footprint, how is upping the level done? A Stronger A5, an extra hundred laps of wire, a little of both (thereby making it almost certainly a proprietary method). This is for a very dark sounding instrument.
My Seths' seem to lose some sparkle in this guitar. I like the SH-2 very much where it is, and I bet it would make a great bridge 'bucker in a dead guitar. It is the wood, not the electronics.
Thanks as Always,
The guy who likes all kinds of answers.
Steve Buffington
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