The guitarist in my band and I along with my old guitar teacher are building a guitar for him. We want the thing to cover as much ground as possible basically from vintage (hopefully noiseless) chime and crunch to modern thrash and groove metal.
For bridge pickups we've considered the JB, the Distortion and the Dimebucker. But we have our nitpicks with each of them. Too loose, too bright and compressed, too hot and not enough mids respectively. The Full Shred also seems cool but he hasn't had a chance to try it.
Depending on the bridge pickup we choose, we can assess which single coils to use in the neck and middle. The guy loves harmonics of all kinds (pinch, open, fretted and tapping etc.) and prefers articulation. We also want something that will split well and retain output and warmth for stratty bridge stuff, and balance with the neck and middle pickups. We down tune to Eb an D standard almost always but never more than that, so if it could stay clear under the looser strings that'd be great too.
The guitar it's going in likely will have a mahogany body, maple neck and ebony fretboard, shooting for stainless steel frets, and a graphtech floyd rose with a thick brass bridge block. And he plays through a Peavy 6505+.
Any suggestions?
For bridge pickups we've considered the JB, the Distortion and the Dimebucker. But we have our nitpicks with each of them. Too loose, too bright and compressed, too hot and not enough mids respectively. The Full Shred also seems cool but he hasn't had a chance to try it.
Depending on the bridge pickup we choose, we can assess which single coils to use in the neck and middle. The guy loves harmonics of all kinds (pinch, open, fretted and tapping etc.) and prefers articulation. We also want something that will split well and retain output and warmth for stratty bridge stuff, and balance with the neck and middle pickups. We down tune to Eb an D standard almost always but never more than that, so if it could stay clear under the looser strings that'd be great too.
The guitar it's going in likely will have a mahogany body, maple neck and ebony fretboard, shooting for stainless steel frets, and a graphtech floyd rose with a thick brass bridge block. And he plays through a Peavy 6505+.
Any suggestions?
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