I recently scored a used Gibson LP Shred in mint condition and a great price. I like how the guitar sounds a lot - easily it's already become my best sounding floyded git.
BUT ... it would be nice to replace the stock 498T with something else that is not as grainy sounding when high gain is applied... something that is tighter sounding but also still breathes at the same time.
Separately, I'd like to replace the stock neck 490R for something that doesn't sound as flat on clean tones, also pairs well w the bridge in the middle position for clean tones, and serves up good lead tones with high gain. Might be a tall order, but I don't know til I ask. By the way, I don't blame the flatness in the clean tones as originating in the 490R, but as originating from the mahogany in the body wood. I've noticed that characteristic before in mahogany bodied gits before. For high gain settings, that is an asset in my book - helps tighten up the high gain tone - but I find that tightness can be a little much in the clean settings, yielding a flatness... I guess I am trying to say. Or it could be this mysterious Richlite material used in the fretboard that's dulling the tone even further - don't know. I don't know if a pup change can do anything about that, but I guess you'll tell me.
Thanks!
P.S. I already utilize a graphic equalizer in my clean signal chain, and a separate graphic equalizer in my high gain signal chain. I've already tried using these EQ tweaking options to get the tones I'm after, but it still falls short.
BUT ... it would be nice to replace the stock 498T with something else that is not as grainy sounding when high gain is applied... something that is tighter sounding but also still breathes at the same time.
Separately, I'd like to replace the stock neck 490R for something that doesn't sound as flat on clean tones, also pairs well w the bridge in the middle position for clean tones, and serves up good lead tones with high gain. Might be a tall order, but I don't know til I ask. By the way, I don't blame the flatness in the clean tones as originating in the 490R, but as originating from the mahogany in the body wood. I've noticed that characteristic before in mahogany bodied gits before. For high gain settings, that is an asset in my book - helps tighten up the high gain tone - but I find that tightness can be a little much in the clean settings, yielding a flatness... I guess I am trying to say. Or it could be this mysterious Richlite material used in the fretboard that's dulling the tone even further - don't know. I don't know if a pup change can do anything about that, but I guess you'll tell me.
Thanks!
P.S. I already utilize a graphic equalizer in my clean signal chain, and a separate graphic equalizer in my high gain signal chain. I've already tried using these EQ tweaking options to get the tones I'm after, but it still falls short.
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