Hi there everyone,new to the forum as user,though I've been lurking for quite a while since I noticed there are tons of very competent guys here,and it's honestly a pleasure to be asking directly to you now,hoping not to be a pain in the butt with already answered questions.
Essentially: I play a Schecter Hellraiser,quite a nice guitar,I like playing here,and EMGs have been fun for some years now.A wind of change has been blowing here lately,and now with more 80's hard rock oriented preferences,I've decided to swap them for a couple of passives.Thing is: the guitar itself sounds rather dark/bassy with a certain compression and lack of clarity on higher registers even while unplugged.While the dark sound was somehow helpful with the 81 (which gained body)for modern metal,it really gave no satisfaction with more vintage oriented rock tones.
Now,I'm stuck with two pickups I've found possibly helpful for my purpose (Schenker,Aldrich,Vandenberg,some hair metal,Campbell,VH...oooh I know you like that question, about "best pickup for VH tones" ):
-Duncan Custom Sh-5
-Duncan Distortion
I was never really into JB,many friends of mine love it,but I've always found something I couldn't stand,though it's said to be possibly the best 80s pickup made by Duncan,along with Distortion.Yeah,Duncan Distortion....Never cared for it cause,you know,it's one of those pickups you usually see on youtube reviewed with absurd ear bleeding gain,something that can only let you think "this is wound with corpse veins and teeth insteat of magnets",not actually appearing as a rock piece of gear.Then you come to know it was Lynch most used pickup,and your perspective changes,and you start gathering interest and infos about it.The pronunced upper mids would come handy in my situation right?Not sure if it could be a lil "too much" though,I don't need an EMG 81 mkII or something like that.
On the other hand the Custom appears to be just as good with its upper mids,roaring,but more calm and controllable when needed,for classic rock and other lighter genres too.Problem is: I read here that the SH-5 can sound awful muddy in a warm sounding guitar.
I was considering the Screamin Demon too,which could be not gainy enough for the bridge,but fit the bill as a neck pickup (something with great definition is needed there).Also,I like the tightness of a ceramic magnet for the bridge position(another reason why I chose the two guys above).
Any suggestions/solutions?
Essentially: I play a Schecter Hellraiser,quite a nice guitar,I like playing here,and EMGs have been fun for some years now.A wind of change has been blowing here lately,and now with more 80's hard rock oriented preferences,I've decided to swap them for a couple of passives.Thing is: the guitar itself sounds rather dark/bassy with a certain compression and lack of clarity on higher registers even while unplugged.While the dark sound was somehow helpful with the 81 (which gained body)for modern metal,it really gave no satisfaction with more vintage oriented rock tones.
Now,I'm stuck with two pickups I've found possibly helpful for my purpose (Schenker,Aldrich,Vandenberg,some hair metal,Campbell,VH...oooh I know you like that question, about "best pickup for VH tones" ):
-Duncan Custom Sh-5
-Duncan Distortion
I was never really into JB,many friends of mine love it,but I've always found something I couldn't stand,though it's said to be possibly the best 80s pickup made by Duncan,along with Distortion.Yeah,Duncan Distortion....Never cared for it cause,you know,it's one of those pickups you usually see on youtube reviewed with absurd ear bleeding gain,something that can only let you think "this is wound with corpse veins and teeth insteat of magnets",not actually appearing as a rock piece of gear.Then you come to know it was Lynch most used pickup,and your perspective changes,and you start gathering interest and infos about it.The pronunced upper mids would come handy in my situation right?Not sure if it could be a lil "too much" though,I don't need an EMG 81 mkII or something like that.
On the other hand the Custom appears to be just as good with its upper mids,roaring,but more calm and controllable when needed,for classic rock and other lighter genres too.Problem is: I read here that the SH-5 can sound awful muddy in a warm sounding guitar.
I was considering the Screamin Demon too,which could be not gainy enough for the bridge,but fit the bill as a neck pickup (something with great definition is needed there).Also,I like the tightness of a ceramic magnet for the bridge position(another reason why I chose the two guys above).
Any suggestions/solutions?
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