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The best Les Paul wiring, using 4 push-pull pots.

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  • #16
    Re: The best Les Paul wiring, using 4 push-pull pots.

    If you are looking for something to do with a turning thing I would put a LCR network like Bill Lawrence' Q-Filter.

    If you are looking for things to do with 4 switches I'd go split/split/pickups-in-series/out-of-phase. There are few things better than subtracting half an out of phase neck pickup from a bridge pickup while they are in series.

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    • #17
      Re: The best Les Paul wiring, using 4 push-pull pots.

      I'm used to the old Les Paul regular tone control knobs already, so I don't think I change it.

      What do you think about taking the Jimmy Page (Schecter's) wiring, but doing both pickups splitting in 1 DPDT switch.
      So by pulling, lets say, the bridge volume knob, I'm splitting both neck and bridge pickups.
      And if I also get rid of the 'pickups-in-series' option, the one that puts bridge and neck pickups in series together, which some people here found useless.
      I will get 2 free DPDT switches.
      is it possible to make them switch between parallel and series ?

      let me clear this up.
      Push/pull controls:

      Jimmy's way-
      Bridge Volume: splits bridge pickup
      Neck Volume: splits neck pickup
      Bridge Tone: puts bridge & neck pickups out of phase with each other
      Neck: Tone: puts bridge & neck pickups in series together

      My way-
      Bridge Volume: splits bridge & neck pickups
      Neck Volume: puts bridge & neck pickups out of phase with each other
      Bridge Tone: bridge in parallel
      Neck: Tone: neck in parallel

      Will it work ? or my guitar will expolde ?
      Last edited by Nuts; 09-13-2014, 10:27 PM.
      My YouTube channel

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      • #18
        Re: The best Les Paul wiring, using 4 push-pull pots.

        Originally posted by Nuts View Post
        I'm used to the old Les Paul regular tone control knobs already, so I don't think I change it.

        What do you think about taking the Jimmy Page (Schecter's) wiring, but doing both pickups splitting in 1 DPDT switch.
        So by pulling, lets say, the bridge volume knob, I'm splitting both neck and bridge pickups.
        And if I also get rid of the 'pickups-in-series' option, the one that puts bridge and neck pickups in series together, which some people here found useless.
        I will get 2 free DPDT switches.
        is it possible to make them switch between parallel and series ?

        let me clear this up.
        Push/pull controls:

        Jimmy's way-
        Bridge Volume: splits bridge pickup
        Neck Volume: splits neck pickup
        Bridge Tone: puts bridge & neck pickups out of phase with each other
        Neck: Tone: puts bridge & neck pickups in series together

        My way-
        Bridge Volume: splits bridge & neck pickups
        Neck Volume: puts bridge & neck pickups out of phase with each other
        Bridge Tone: bridge in parallel
        Neck: Tone: neck in parallel

        Will it work ? or my guitar will expolde ?
        Yes that is possible. And it will work. My only concern is that is a ton of work to get a minor variation of tone. You will not get one guitar to sound like every guitar. I do not think the settings you are looking for are going to be as drastic as you are hoping they will be. Once again what are you trying to get done?

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        • #19
          Re: The best Les Paul wiring, using 4 push-pull pots.

          Originally posted by Nuts View Post
          I'm used to the old Les Paul regular tone control knobs already, so I don't think I change it.

          What do you think about taking the Jimmy Page (Schecter's) wiring, but doing both pickups splitting in 1 DPDT switch.
          So by pulling, lets say, the bridge volume knob, I'm splitting both neck and bridge pickups.
          And if I also get rid of the 'pickups-in-series' option, the one that puts bridge and neck pickups in series together, which some people here found useless.
          I will get 2 free DPDT switches.
          is it possible to make them switch between parallel and series ?

          let me clear this up.
          Push/pull controls:

          Jimmy's way-
          Bridge Volume: splits bridge pickup
          Neck Volume: splits neck pickup
          Bridge Tone: puts bridge & neck pickups out of phase with each other
          Neck: Tone: puts bridge & neck pickups in series together

          My way-
          Bridge Volume: splits bridge & neck pickups
          Neck Volume: puts bridge & neck pickups out of phase with each other
          Bridge Tone: bridge in parallel
          Neck: Tone: neck in parallel

          Will it work ? or my guitar will expolde ?
          I just did the real Jimmy Page wiring in my SG, albeit with some mods to make it easier to use (namely I put the coil splits out on the pickguard rather than back on the pots.) In my experience, I did not get a significant variance in output, even with pickups in series or splitting to single coil. There was some slight shift in levels, but it was totally manageable. But it bought me a great variety of tones that I can use to overcome situations where I have to play through someone else's amp or in a venue through a board I'm not familiar with, etc. That's the only reason I go for all those additional tones: is to get around situations where I don't get to use my own rig and control the sound. Having the Page wiring allows me to still sound like myself in situations where it's not my rig.

          Comment


          • #20
            Re: The best Les Paul wiring, using 4 push-pull pots.

            Originally posted by Nuts View Post
            I'm used to the old Les Paul regular tone control knobs already, so I don't think I change it.

            What do you think about taking the Jimmy Page (Schecter's) wiring, but doing both pickups splitting in 1 DPDT switch.
            So by pulling, lets say, the bridge volume knob, I'm splitting both neck and bridge pickups.
            And if I also get rid of the 'pickups-in-series' option, the one that puts bridge and neck pickups in series together, which some people here found useless.
            You completely missed my point. In-series is useless alone but if you combine in-series (which darkens) with out-of-phase (which brightens) you get a usable thing. One that can sound great. Especially if you subtract only half a neck pickup. That can give you a roar for a distorted sound you cannot get otherwise, not even remotely.

            Comment

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