I just installed a set of DiMarzio pickups - a Fast Track 2 & 2x SDS-1's - into an LTD ST-213 Strat. The issue I'm finding is that the Fast Track 2 has a good bit more of a midrange spike compared to the Hot Rails. It sounds kinda almost thin/tinny as a single coil, or like a Wah is on in the all the way down position... (I have the Hot Rails loaded in another ST-213 - same Alder body, but with a maple fingerboard. The ST-213 with the F.T.2 has a rosewood fingerboard. But when comparing the two, the HR seems to be a bit tighter, more focused and a little more scooped than the F.T.2 ...)
For a better understanding on what else the guitar has for a control pattern: Oak-Grigsby 5-way switch w/ std. 5-way switching pattern, mini 3-way toggle for series/outside coil split/parallel modes for the F.T.2, single volume & single tone controls. The mini toggle is wired correctly, as I can distinctly hear the difference in all 3 modes in both clean and distorted modes...
So far I have been able to tame it a bit by rolling the tone about halfway down & dialing back the presence control on the amp from 5 to about 3.5. DiMarzio recommend using 500K pots to help "open it up", but:
*I'm wondering if switching back to a set of 250K would help tame it a bit better... My only concern with doing that is it makes the pickups too dark...
*I've also thought about changing the value of the cap on the tone pot, but think that it would be too much and too thick too soon... The current cap (unknown value, whatever was on there from whatever those pots came out of...) has a bit more of a subtle - yet still very noticeable difference in the sound, and it starts really taking shape at around 6...
*I thought quickly about something like a treble bleed cap like what is typically found on a lot of Ibanez stuff, but remembered that that mainly applies when your rolling the volume pot down...
*Or should I just leave it be, and tweak the controls like I currently am - as well as possibly tweak the graphic EQ in the effects loop to help compensate a little bit more/better??
Any other ideas/suggestions to help tame the midrange spike a bit more/better???
Thanks again all!
For a better understanding on what else the guitar has for a control pattern: Oak-Grigsby 5-way switch w/ std. 5-way switching pattern, mini 3-way toggle for series/outside coil split/parallel modes for the F.T.2, single volume & single tone controls. The mini toggle is wired correctly, as I can distinctly hear the difference in all 3 modes in both clean and distorted modes...
So far I have been able to tame it a bit by rolling the tone about halfway down & dialing back the presence control on the amp from 5 to about 3.5. DiMarzio recommend using 500K pots to help "open it up", but:
*I'm wondering if switching back to a set of 250K would help tame it a bit better... My only concern with doing that is it makes the pickups too dark...
*I've also thought about changing the value of the cap on the tone pot, but think that it would be too much and too thick too soon... The current cap (unknown value, whatever was on there from whatever those pots came out of...) has a bit more of a subtle - yet still very noticeable difference in the sound, and it starts really taking shape at around 6...
*I thought quickly about something like a treble bleed cap like what is typically found on a lot of Ibanez stuff, but remembered that that mainly applies when your rolling the volume pot down...
*Or should I just leave it be, and tweak the controls like I currently am - as well as possibly tweak the graphic EQ in the effects loop to help compensate a little bit more/better??
Any other ideas/suggestions to help tame the midrange spike a bit more/better???
Thanks again all!
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