Had the chance to track 3 songs in a proper studio with a beautiful sounding room, and for the first time in a long time got to open up my Mark IV at deadly volumes, through quality mics. Not using a ton of gain, I would call it rock levels but not "hard rock" levels
I already knew the amp could sing, but plugging in my recently acquired PRS with a pair of Duncan 59s and the Heritage with Lollar P90s, I was feeling and hearing things in a way I've been missing, where modeling just hasn't cut it. The responsiveness of the amp to guitar control changes, the transparency, the honesty of what my hands were doing, it's all just incredible!
Having been a high output pickup guy forever, I'm really coming around these last couple years. Maybe I'm getting older? Having a space to crank probably also helps.
Has anyone else gone this direction as time goes by? Do you miss the fluid compression of higher output juicing the amp?
Sent from my SM-F926W using Tapatalk
I already knew the amp could sing, but plugging in my recently acquired PRS with a pair of Duncan 59s and the Heritage with Lollar P90s, I was feeling and hearing things in a way I've been missing, where modeling just hasn't cut it. The responsiveness of the amp to guitar control changes, the transparency, the honesty of what my hands were doing, it's all just incredible!
Having been a high output pickup guy forever, I'm really coming around these last couple years. Maybe I'm getting older? Having a space to crank probably also helps.
Has anyone else gone this direction as time goes by? Do you miss the fluid compression of higher output juicing the amp?
Sent from my SM-F926W using Tapatalk
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