Originally posted by Aceman
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I thought I simply didn't like neck humbuckers…
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Originally posted by Sirion View Post
In my case you are absolutely right. Are people using the Demon in the neck? I thought that only existed as a decently-powered bridge humbucker.
It's EQ is tilted towards less bass and more treble, IMO, more so than the PG. Fantastic cut through heavy distortion though. But - at 10k and with a lot of highs, with a pretty tight bass, people dig it in the neck too!, especially with sportier bridge pups, or very muddy neck.
Allen screws don't hurt to cut the flab either.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Originally posted by Mononoaware View PostI hear ya; I've almost entirely given up on neck pickups. It's a really hard position to balance on most of my guitars.
JazzN and 59n always come so close to working for me in most situations, but seem to be missing a little beef. Love the 59b in the neck, though, so something tells me the JazzB might also work.Originally Posted by IanBallard
Rule of thumb... the more pot you have, the better your tone.
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Originally posted by Aceman View PostHot Take: People who want a Jazz, or especially a Demon or Full Shred, in the neck don't like neck pickups. They really want to use the bridge with the tone turned down a touch.
Originally Posted by IanBallard
Rule of thumb... the more pot you have, the better your tone.
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Originally posted by GuitarDoc View Post
I think that could be true a lot of times.But I find that the neck doesn't necessarily sound like a bridge with the tone (trebble) turned down, but rather it has a fuller tone.
Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Agree. I very rarely try to "match" bridge and neck pups. What's the point. Two pups are for two different sounds not two of the same. I also find that when I have two very different sounding pups, I get some really good combination sounds.Originally Posted by IanBallard
Rule of thumb... the more pot you have, the better your tone.
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Originally posted by Rex_Rocker View PostI've been wanting to give that one a try for a while. What is it like?
It's very good for clean jazzier sounds, or higher gain Slash style leads.You will never understand How it feels to live your life With no meaning or control And with nowhere left to go You are amazed that they exist And they burn so bright
Whilst you can only wonder why
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Originally posted by Sirion View Post
Your distaste for bridge pickups is well known around (and in no way do I seek to challenge your right to opine thus). Which ones have you found that work for you?Administrator of the SDUGF
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Originally posted by Aceman View PostHot Take: People who want a Jazz, or especially a Demon or Full Shred, in the neck don't like neck pickups. They really want to use the bridge with the tone turned down a touch.
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xHH would catch on a lot more in the "no neck" crowd if we had a generational guitar player who tried itYou will never understand How it feels to live your life With no meaning or control And with nowhere left to go You are amazed that they exist And they burn so bright
Whilst you can only wonder why
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Originally posted by Chistopher View PostxHH would catch on a lot more in the "no neck" crowd if we had a generational guitar player who tried itOriginally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Screamin' Demon in the neck is a great setup with same in the bridge or hotter. Ran dual Sceamin' Demons for a long time in one guitar.
The APH-1, PGn, '57 Classic are probably my top PAF class neck options.
The Suhr SSVn that's in my Goldtop sounds great. Still evaluating it with the SSH+ in the bridge but so far, so good. If I change 'em out, a set of PGs it is.
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