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How do you break the mold (mould)?

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  • How do you break the mold (mould)?

    "routine" can be a good thing
    it keeps you active
    if you go through the same routine long enough, it can also dig your grave

    especially when trying to create new sound-scapes and imagery in music, is reduced to muscle-memory

    its said a rolling stone gathers no moss (or mold), but a rolling stone only rolls down hill. and there's only so far downhill a stone can roll.

    personally, i've found renewed interest in actually picking up my guitar once again, and trying to figure out this thing called "theory".
    however, i would trade all "theory" in the world to be inspired to create something in the vein of what i created nearly 20 years ago, in my interpretations of HP Lovecraft writings.

    so i ask, how do you break your mold?
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  • #2
    Re: How do you break the mold (mould)?

    I don't.

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    • #3
      Re: How do you break the mold (mould)?

      Originally posted by formula73 View Post
      I don't.
      LOL....I hear ya.

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      • #4
        Re: How do you break the mold (mould)?

        Expose yourself to new music,something different lots of it.
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        • #5
          Re: How do you break the mold (mould)?

          Well theory is good but generally isn't very inspiring. Breakdown a piece of music that really excites you and learn how it is built, that's a little more fun.

          Lately I have been picking apart songs and solos that I have always loved but never learned. I find that usually gets me kicked up a notch.
          My Bands -
          https://kamikazechoir.hearnow.com/
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          Just some fun guitar stuff from time to time
          GUITAR KULTURE

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          • #6
            Re: How do you break the mold (mould)?

            I actually find theory very inspiring--learning about inverted chords improved my rhythm playing a lot. Learning counterpoint, modulation, secondary dominants/leading tones, etc has made my writing ability a ton better.

            I mean... for the most part you're aware of what you don't know. If a song blows your mind, learn to play it and analyze the **** out of it. Come up with concepts for soloing and or writing--I guess my most recent example of this has been with chromatics. For a long time I liked and tried to use them but couldn't figure out exactly how to go about it. Then I figured out it's just about putting chord tones on downbeats and chromatics in between, now it's easy and that's one more thing I can do.

            Basically if you actually make a consistent effort to learn more about your instrument and music in general, ideas will come.
            Originally posted by gibson175
            metal zones are for pussies.

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            • #7
              Re: How do you break the mold (mould)?

              listen to different stuff and it inspires you. When i listen to high on fire i write similar to that, same with mastodon or whoever else. My riffs change with my mood
              Originally posted by Lewguitar
              It is a blast to plug into a full Marshall stack, crank it up to patent applied for and wail though. Makes you feel like you have a penis so big you have to tuck it into your sock.
              Originally posted by JOLLY
              I totally forgot how totally awesome it sounds to have a killer tube amp cranked. I'm not sure if I'm gonna watch some porn at the moment or just crank my amp again and bust one on it.

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              • #8
                Re: How do you break the mold (mould)?

                I avoid trying. If I try, I just sound like everyone else trying to be innovative. I just intend to let my playing and writing reflect who I am, more or less. Eclectic musical and literature tastes are helpful for me, as well as pulling out the theory books and going HOLY CRAP I NEVER KNEW I COULD DO THAT OH MY GOD.
                That's pretty much the extent of it, for me. I avoid trying to do things that haven't been done, since practically everything has been done. I just try to do what I do with a great deal of expression and expertise.

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                • #9
                  Re: How do you break the mold (mould)?

                  i was going to start a new thread, but i think it will fit in this one.

                  so i've taken on the project of learning some led zeppelin songs via tabs on the internet, instructional videos, and as much as possible, listening to the song and picking up by ear. its going fairly well. its fun. puts some purpose, direction and goals into playing guitar.

                  but then when i'm just left alone with my guitar and noodling around a chord, or in a scale, or key, or whatever, it either all comes out as an incoherent mishmash of goobledeegook notes. or it just sounds like i'm running scales

                  then i also have this problem, when i am just goofing/noodling around, i quickly revert to muscle-memory patterns of (bad) "licks" and "hooks".

                  here's one video clip where i say to myself "ok, i can figure out, and play most of those notes. i can kind of see he's playing a couple different modes, and pentatonic scales... but why does his noodling/improv'ing (whatever) sound musical. and what i do, it sounds retarded, and incoherent"

                  Bumped in to DStroud and had my Friedman SkullCrusher modded JMP100 with me so hooked it up so he could check it out!


                  good deals with:

                  Buyers - Allstarme, Savage_Distorton, Lerxst6, KingIZZO))), Powerglide350, Donnievaz, SrDeMaFp, Guston7, Ayrton, IndySG, eclecticsynergy, eaeolian, Jolly

                  Sellers - 51501984

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                  • #10
                    Re: How do you break the mold (mould)?

                    2 things--timing and where notes fall in the beat division

                    the human ear can detect mistakes in rhythm before pitch, so if your 16th notes are off it's just gonna negate anything else you may have going on.

                    Also, land on chord tones or carefully chosen "color" tones on downbeats. For example--

                    If someone is playing an Am7 chord (A, C, E, G) and you run the Am scale over it, let's say eighth notes starting on the high 3rd, your sequence of notes is basically

                    C B A G F E D C
                    1 & 2 & 3 & 4 &

                    so it starts pretty good, on the first few downbeats you have chord tones, but then from 3 on it basically sounds like crap.

                    SO, if you add in a Major 7th as well, you get

                    C B A AbG F E D C
                    1 & 2 & 3 & 4 & 1

                    look at that, on downbeats you have C, A, G, E. All the notes of the chord...
                    Last edited by drew_half_empty; 10-08-2011, 01:06 PM.
                    Originally posted by gibson175
                    metal zones are for pussies.

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