Full tune here; mostly cleaned up and tweaked:
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Bringin On The Heartbreak (full)
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Re: Bringin On The Heartbreak (full)
Originally posted by LLL View PostHAH - is that the Mutt Lange method to vocals?
EMT 140 Plate Reverb is a beautiful (and very prolific) thing...
Originally posted by Mike ShipleyWe only ever did the moving away from the mic thing , for a rock aproach. For all the pop BV's that Mutt would do on his own , would be just stacked up 20 or so tracks per harmony, sometimes more , sometimes less. We would bounce them into 4 tracks per harmony and as for panning , we'd pan them pretty much wide all the time. Having used a ridiculous amount of eq to get the right sound. A lot of level riding is also used as is editing all the "S's" and hard consonants to line up to stop the flamming .
Just to add I had my first whack at having real Backing Vocals on one of my tracks recently (I will post when complete). The guy sent me 10 tracks of BV's. Basically 5 different harmonies / timbres all doubled. What a treat it was, and really makes a difference.Last edited by Kamanda~SD; 11-09-2017, 01:25 PM.TOUQUE ROCK...EH???? I AM CANADIAN
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Re: Bringin On The Heartbreak (full)
Before your thread may turn into a debate, I should clarify: Mutt seems to like taking a six string chord and record each note 30 times then record the full chord 30 times and blend it all together into one chord. Bananas I say.
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Re: Bringin On The Heartbreak (full)
Please keep it all in one post.
Saying he turns everything into 1's and 0's is pretty naive. He is certainly meticulous, and has done the 'record one note of a chord at a time' hell, on hysteria they would EQ the vocals per word sometimes! Compare that to something like HTH or BIB which are rather raw yet cohesive. BIB is the standard for rock reference mixes. I realize his work is not for everyone, but the fact that the three albums I've mentioned in this post have sold over 70 million records speaks for itself.
Anyways, back on topic.TOUQUE ROCK...EH???? I AM CANADIAN
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Re: Bringin On The Heartbreak (full)
It's all cool. It's just discussion, and people can disagree without it being a big f'n deal (cuz it isn't).
Yes, Mutt is insane.
Although I am reminded of an early huge hit ("I'm Not In Love") by 10cc back in 1975 where they recorded a bazillion vocal tracks to
get that ethereal sound.
https://en.wikipedia.org/wiki/I%27m_Not_in_Love
Stewart spent three weeks recording Gouldman, Godley and Creme singing "ahhh" 16 times for each note of the chromatic scale, building up a "choir" of 48 voices for each note of the scale. The main problem facing the band was how to keep the vocal notes going for an infinite length of time, but Creme suggested that they could get around this issue by using tape loops. Stewart created loops of about 12 feet in length by feeding the loop at one end though the tape heads of the stereo recorder in the studio, and at the other end through a capstan roller fixed to the top of a microphone stand, and tensioned the tape. By creating long loops the 'blip' caused by the splice in each tape loop could be drowned out by the rest of the backing track, providing that the blips in each loop did not coincide with each other. Having created twelve tape loops for each of the 12 notes of the chromatic scale, Stewart played each loop through a separate channel of the mixing desk. This effectively turned the mixing desk into a musical instrument complete with all the notes of the chromatic scale, which the four members together then "played", fading up three or four channels at a time to create "chords" for the song's melody. Stewart had put gaffer's tape across the bottom of each channel, which meant it was impossible to completely fade down the tracks for each note; this resulted in the constant background hiss of vocals heard throughout the song.[3] Composer and music theory professor Thomas MacFarlane considered the resulting "ethereal voices" with distorted synthesized effects that are an example of early synclavier music to be a major influence on Billy Joel's hit ballad "Just the Way You Are", released two years later.[8]
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Re: Bringin On The Heartbreak (full)
Originally posted by Kamanda~SD View PostPlease keep it all in one post.
Saying he turns everything into 1's and 0's is pretty naive. He is certainly meticulous, and has done the 'record one note of a chord at a time' hell, on hysteria they would EQ the vocals per word sometimes! Compare that to something like HTH or BIB which are rather raw yet cohesive. BIB is the standard for rock reference mixes. I realize his work is not for everyone, but the fact that the three albums I've mentioned in this post have sold over 70 million records speaks for itself.
Anyways, back on topic.
The general public doesn't give a f**k whether a record is produced by f**kin Bob Rock or in a bedroom using Audacity.
Anyway, I actually sang along with the track. Good job triple L.
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