Re: Modes?
Mike, i really appreciate the work done on your site man, its also free
so... you rule
if you want ideas for more excersizes on how to develop hearing to develop your site even further, i know a program called Ear Master (the latest version is 4.#) that has a huge arsenal of excersizes, if you havnt seen it already maybe it could help.
cheerz!
i'll explain abit on Melodic Minor modes:
in classical music melodic minor was used as the descending minor scale. in jazz music it was started to be used as a scale for anything (both ascending and descending).
take A Melodic Minor for example-
1) A B C D E F# G# A. the degrees of this scale are hence 1 2 b3 4 5 6 7 1 (sort of a minor - major combination, or dorian with a major 7th.. however you want to look at it)
the scale degrees portrait an AmMaj'7 chord.
like in the major modes described above, the modes of melodic minor are built from the same notes in the same order but referring to different degrees as the "root".
i will try to show the modes with arpeggio's, that will also show the "signature" chord of that particular mode.
2) (starting from the second degree of A Melodic Minor) B D F# A - 1 b3 5 b7 - Bm7. this mode is a Phrygian with a major 6th.
3) C E G# B = 1 3 #5 7 = Maj'7#5. this mode is Lydian Augmented
4) D F# A C = 1 3 5 b7 = D7. Lydian Dominant - this one is probably the most useful. the degrees for the entire scale are: 1 2 3 #4 5 6 b7. its useful in Jazz substitutions, aswell as x7b5 chords. works on most major dominant chords that are not in a V7-1 progression.
5) E G# B D = 1 3 5 b7 = E7. Mixolydian b6. in my experience its not so useful.
6) F# A C E = 1 b3 b5 b7 = F#m7b5 (half diminished). Super Locrian. this one is really really useful. it works great over most half diminished chords, and it sounds better most of the time then the normal Locrian that has an annoying b2 (to my taste)
7) G# B D F# = 1 b3 b5 b7 - G#m7b5 . this scale is called Altered. the degrees are 1 b2 b3 b4 b5 b6 b7. very useful in jazz mostly.
Mike, i really appreciate the work done on your site man, its also free
so... you rule
if you want ideas for more excersizes on how to develop hearing to develop your site even further, i know a program called Ear Master (the latest version is 4.#) that has a huge arsenal of excersizes, if you havnt seen it already maybe it could help.
cheerz!
i'll explain abit on Melodic Minor modes:
in classical music melodic minor was used as the descending minor scale. in jazz music it was started to be used as a scale for anything (both ascending and descending).
take A Melodic Minor for example-
1) A B C D E F# G# A. the degrees of this scale are hence 1 2 b3 4 5 6 7 1 (sort of a minor - major combination, or dorian with a major 7th.. however you want to look at it)
the scale degrees portrait an AmMaj'7 chord.
like in the major modes described above, the modes of melodic minor are built from the same notes in the same order but referring to different degrees as the "root".
i will try to show the modes with arpeggio's, that will also show the "signature" chord of that particular mode.
2) (starting from the second degree of A Melodic Minor) B D F# A - 1 b3 5 b7 - Bm7. this mode is a Phrygian with a major 6th.
3) C E G# B = 1 3 #5 7 = Maj'7#5. this mode is Lydian Augmented
4) D F# A C = 1 3 5 b7 = D7. Lydian Dominant - this one is probably the most useful. the degrees for the entire scale are: 1 2 3 #4 5 6 b7. its useful in Jazz substitutions, aswell as x7b5 chords. works on most major dominant chords that are not in a V7-1 progression.
5) E G# B D = 1 3 5 b7 = E7. Mixolydian b6. in my experience its not so useful.
6) F# A C E = 1 b3 b5 b7 = F#m7b5 (half diminished). Super Locrian. this one is really really useful. it works great over most half diminished chords, and it sounds better most of the time then the normal Locrian that has an annoying b2 (to my taste)
7) G# B D F# = 1 b3 b5 b7 - G#m7b5 . this scale is called Altered. the degrees are 1 b2 b3 b4 b5 b6 b7. very useful in jazz mostly.
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