1967 Flying V

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Re: 1967 Flying V

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Re: 1967 Flying V

That's a ridiculous amount of money. A newer V will be just as good. Unless you are just buying it to collect it.


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Re: 1967 Flying V

Holy Jim-Bob that's an awesome V. If you want it and can afford it, I'm not going to try to talk you out of it. If you went with a newer V for a fraction of the money, that would be awesome too.
 
Re: 1967 Flying V

Is that thing even REAL???

Pickguard fit looks kinda questionable to me, possibly also the fretboard end and the headstock dimensions....and as to the Gibson logo --- thats on a plastic truss rod cover.

Fretboard itself, too, is a sad sad pale color...did fretboards that pale even pass muster before the 90's, on ANY guitar????
 
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Re: 1967 Flying V

^Are you aware of any of the features of a 67 V

Im referring to how easy it is to fake up on a kit guitar.

And how the pickguard doesnt QUITE seem to fit/align perfectly with the bottom horn's bottom edge
 
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Re: 1967 Flying V

So rather than actually saying anything about the guitar in question, you are making a generalised statement about a theoretical situation.
 
Re: 1967 Flying V

So rather than actually saying anything about the guitar in question, you are making a generalised statement about a theoretical situation.

Ok hows this:

That neck is PLAINSAWN...not quartersawn, not rift sawn --- just a regular ole generic plank.

All others Ive seen seemed quarter or maybe rift



Between the vibrola (misdirects the eye) and the branding on a piece of plastic, this model's already begging to be counterfeited... add cheapo fretboard and plainsawn neck --- I see a relic'd kit guitar
 
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Re: 1967 Flying V

So thats it???

Nothing about the specs, shapes. Just a portion of the neck (yes just a portion) that is flatsawn.

How many of that era guitars have you seen??
 
Re: 1967 Flying V

Just some more info....

Post #8....1957 junior with mainly flatsawn neck
http://www.lespaulforum.com/forum/showthread.php?165057-Burst-Necks-Flatsawn-or-Quartersawn

And there are a whole range of neck cuts all through the vintage era.
Plus vintage era Gibsons are 'hand' sanded for final shaping. Thus no 2 are likely to be quite the same. Hence I (knowing about this era) would never use outer dimensions and how they relate to pickguards as a definitive tell.


This is all stuff that is needed to be known before crying wolf.
 
Re: 1967 Flying V

So thats it???

Nothing about the specs, shapes. Just a portion of the neck (yes just a portion) that is flatsawn.

How many of that era guitars have you seen??

Back aint bookmatched, neck isnt quartersawn.... kinda goes against the recipe seen on other examples...

Add sad pale fretboard, smells like a cheap kit guitar already.


Also, theres no such thing as a "portion" of flatsawn board on a 1-piece neck design. Whole board that runs the length of it has ring patterns where you'd expect to see lines.
 
Re: 1967 Flying V

Just some more info....

Post #8....1957 junior with mainly flatsawn neck
http://www.lespaulforum.com/forum/showthread.php?165057-Burst-Necks-Flatsawn-or-Quartersawn

And there are a whole range of neck cuts all through the vintage era.
Plus vintage era Gibsons are 'hand' sanded for final shaping. Thus no 2 are likely to be quite the same. Hence I (knowing about this era) would never use outer dimensions and how they relate to pickguards as a definitive tell.


This is all stuff that is needed to be known before crying wolf.

A junior was ALWAYS a budget guitar made of second-rate wood that didnt meet criteria for the grown-up models.

Seeing worse woods and mismatches there should come as no surprise.
 
Re: 1967 Flying V

^ Sorry, no dice.

Wood was not graded. Bursts show this variation in cut too.

You have nothing......in fact less than nothing.
 
Re: 1967 Flying V

^ Sorry, no dice.

Wood was not graded. Bursts show this variation in cut too.

You have nothing......in fact less than nothing.

Searching for other examples to compare, I kept seeing straight grain necks and bookmatched horns

And not a single fretboard that light.

Example: http://1967-flyingv.weebly.com/sunburst.html

Anyway, MY point was to suggest extra wariness considering the price and how easily fakeable that guitar is...And then there's the missing pickup cover, replacement tuners, refret job --- eliminating detail after detail that you might look for in authenticating a guitar
 
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Re: 1967 Flying V

All guitars can be cloned.
If you'd actually said that, then that would have been fine. Instead of calling a guitar with no obvious signs of fakery into question without knowing the least bit about what you were talking about.

But for those who actually know the intimate details, the act of cloning it is actually quite hard. Burst experts can tell fakes that non experts would say was real.
Everyone buying vintage guitars should have them verified by people who now what they are looking at.
 
Re: 1967 Flying V

But for those who actually know the intimate details, the act of cloning it is actually quite hard. Burst experts can tell fakes that non experts would say was real.
Everyone buying vintage guitars should have them verified by people who now what they are looking at.

+1

I doubt it's a fake, but what it is is too expensive. The ding on the headstock and the missing pickup covers should affect the price a bit. Also, didn't Gibson switch to plastic saddles on their ABR bridges in '65 or '66? I know transitions take time, but I suspect the saddles aren't original.
 
Re: 1967 Flying V

The Maestro doesn't look like a factory job. It is vintage, but probably from another guitar.
 
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