Everything makes a difference, but enough for you to hear it and enough for you to care?
That video illustrates a lot of things, soft clipping vs hard clipping, different diodes, and yes, different opamps, not old vs new 4558, but a wide variety of different opamps in the same circuit.
I have a tough time hearing the differences between some of the opamps, so I figure I couldn’t hear a difference between old/new of the same component.
JMP/HBE, have you made your swaps and comparisons yet?
I have a tough time hearing the differences between some of the opamps, so I figure I couldn’t hear a difference between old/new of the same component.
JMP/HBE, have you made your swaps and comparisons yet?

Since yesterday ive spoken with Dave Friedman & Analogman Mike Piera and both said the same thing as above.
I have one, haven't tried it yet. Ive heard mixed reviews but don't know what to expect.You might try some Burr Brown OPA2134s, I know, they aren't 4558s, they are much better spec wise and sound cleaner/more open IME, and their pinouts are the same. Of course, part of the beauty of the 4558 in OD/Dist pedals is the same as the LM308 in Rat circuits, they are actually pretty crappy generic opamps. The 2134s were designed specifically for audio applications so they have less noise and are more transparent, that can be a good thing in most applications, but "cleaner" may or may not be what you are looking for.
https://www.mouser.com/ProductDetai...=sGAEpiMZZMtxdzBvM0rKca1NCdcAPFSCaGg8q6KvJG8=
Specs - http://www.ti.com/lit/ds/symlink/opa2134.pdf
Im not after a change in "distortion". Some of these chips have a sweeter midrange than others.I think that it was Jack Orman who had an article about this, but I've been searching his webpage and can't locate it. To paraphrase, he basically said that to worry about the sonic characteristics of an op amp, when used in an OD/Distortion pedal, where the primary purpose is to cause extreme distortion, is a bit of silliness. (He said it better.)