2016 Gibson

Re: 2016 Gibson

I've always wondered, if a $2000 Gibson should be perfect, what would a $5000 Collings be? Perfecter?

Same with a $1200 Fender or a $2500 Suhr.

I don't know enough perhaps about US pricing, but in Canada a PRS is generally way more expensive than a Gibson USA. An SG is priced more in line with the PRS "S2" series. So saying a 4K PRS is better than a $1999 Gibson is not a particularly shocking observation, to me.

I own 3 Gibsons, so I might be accused of bias, but they sound great, play great and look pretty nice. I don't know what else I'm supposed to be looking for in a guitar. And I've never paid more than $1600 CDN (used) for them.

You are spot on. In almost all cases a PRS is a lot more expensive than a Gibson. A good PRS can run you $4 to $5k so comparing it to even a $2700 Gibson is not a fair comparison at all.
 
Re: 2016 Gibson

The 2015 Gibson Les Paul Standards were $3,750. Paul Reed Smith's Standard line is about the same price. If you are talking about PRS private reserve guitars, it isn't really fair to use the Gibson Standards for comparison. The new mid priced USA PRS line is around $1,200.
 
Re: 2016 Gibson

The 2015 Gibson Les Paul Standards were $3,750. Paul Reed Smith's Standard line is about the same price. If you are talking about PRS private reserve guitars, it isn't really fair to use the Gibson Standards for comparison. The new mid priced USA PRS line is around $1,200.

And that's why the 2015 marketing plan failed, along with the goofy tuners and all.

Although, to be fair, visually the 2015's were pretty stunning looking, and the few I saw/played were exceptionally well built. But with the return to normal ish prices, PRS are again pricier. The new SG is around 1200, so it is comparable to the S2 line, as is the LP studio.
 
Re: 2016 Gibson

I remember when the original run of the les paul classics were $1700 and a standard was barely $2200

The "good Ole days" late 90s-early 00's. I remember right before they in routed the BB'S in les Paul the still had 490R/498T set and we're about $1800 and Classics were around $1500-1600. I miss that. Then again, only a few years ago a Traditional was "only" $1800.
 
2016 Gibson

First Les Paul I fell in love with at a shop was an early '90's wine red Standard. I thought it was so expensive at a whopping $1,295, brand new.
 
Re: 2016 Gibson

Std? That's what SG Standards were retailing for about 10 years ago. It seems Gibson's numerous price increases along the way overpriced them and put a damper on sales.

I'm pretty sure that's the new price, give or take. That's why, when sgs were priced that way, that I always argued they were one of the best values around, comparable to a standard stratocaster. Les Pauls always had a premium name recognition markup.
 
Re: 2016 Gibson

Caruna, I have two Les Paul Classic Premium Plus guitars from the mid-90s. The MSRP on those guitars was nearly $5,000--more than a Standard of the era. I didn't pay that for them; I got them NOS at below cost from a dealer that had gone out of business. Fabulous guitars, darn lucky to have them.

Bill
 
Re: 2016 Gibson

Caruna, I have two Les Paul Classic Premium Plus guitars from the mid-90s. The MSRP on those guitars was nearly $5,000--more than a Standard of the era. I didn't pay that for them; I got them NOS at below cost from a dealer that had gone out of business. Fabulous guitars, darn lucky to have them.

Bill
Who cares what the MRSP is? None actually pays the MSRP price they buy the product. Thats why its a suggested price
 
Re: 2016 Gibson

You are spot on. In almost all cases a PRS is a lot more expensive than a Gibson. A good PRS can run you $4 to $5k so comparing it to even a $2700 Gibson is not a fair comparison at all.

My 2014 Traditional cost $2500 brand new. The PRS sc245, (also a 2014 model)l I posted cost $2900 brand new.

In this particular case, as much as I love my Traditional and the way it plays, it is not approaching something like a Gibson Custom shop model such as an R8/R7. The PRS is not in the same league as the upper end Gibson USA line. It's in the same kind of league as Gibson Custom models that cost $4500 (last year)to $10K this (2015 model) year. I did the comparisons. The 245 easily hangs with or exceeds the best (and most expensive)USA custom shop guitars from Gibson, Hamer USA, Dean USA that I have owned. I'm talking strictly build, finish, wood, hardware, quality. So $5-6K Gibson vs. $3K PRS is a more realistic comparison when talking "singlecuts".

Whether a PRS appeals to one's aesthetic and tone sensibilities is a different kettle of fish (and I have had many issues there over the years with them).
 
Re: 2016 Gibson

I think some people have unreasonable expectations expecting perfection in an imperfect world.

As do I. But I am not one of them. I have high expectations for a guitar company that has traditionally had high quality, and which banks on that old image to give themselves high-class status and high prices today, while turning out an inferior product. Perfection of every last detail on every last guitar is impossible. However, that is what should be striven for if you bill yourself as a high-end guitar company, with the prices to back it up.

Even you yourself, who purchased an open box Gibson bass had the option to return it but chose to keep it and put up with the cosmetic blemishes because the instrument sounds so good.

What thread were you reading, man! I panned the bass' build quality, then said it sounded "fine," and that I was trying to find a way to see past its flaws and just enjoy it. I still haven't made my final decision; I may yet return it. The ONLY reason I even want to try to enjoy it is because it is a good looking body style to me. However, this somehow gets turned into your above statement. I don't get it.

Additionally, you seem to think that my opinion is based on one recent experience. But I've had this opinion for over 10 years, and it just keeps growing as it is reinforced time and time again. I've explained how my opinions on modern-day Gibsons are not based on that bass, but on observation over a 25 year period, playing probably thousands of Gibson guitars, as well as my ownership of probably a dozen of various ages/periods over the years. The bass didn't form my opinion. It simply disappointed me that it matched my opinion in every way. Every now and then I will give Gibson the benefit of the doubt, when the price is good, hoping for something I can tolerate because it looks good. But I haven't paid full pop for a Gibson since 2001 or 2002. Not one single new Gibson I've played in 13-14 years has made me say, "Man; I have to have this thing. It's totally worth the price." I used to say that fairly often about their guitars. My 2001 Jr. was a $700 guitar, and it it built so much better than my 2004 Standard, which cost almost 3x as much. I had this Studio Plus from about the same time period, and it was a model Gibson in my eyes. It was so good that I bought it even though I thought it was ugly (wine red flame with gold hardware). I even had a low-end ES-333 that smoked any 335 I've seen in the past 10 years in terms of attention to detail by the builders. This is recent history, not some magical golden age 50 years ago.

At the end of the day Gibson makes great sounding instruments and that's a fact. If you are buying a guitar to play it, a Gibson is always a top choice. If you want something to hang on the wall then buy something else even though many Gibsons are gorgeous as well.

First, it's not "a fact." It's your highly generalized opinion. Secondly, tons of companies make great sounding instruments that also have a price point that matches their build quality. Thirdly, I don't think you are correct, as one of the biggest complaints about Gibsons is the tone of their stock pickups. Funny. I feel the opposite as you. The new Gibsons are the ones you want to put on the wall, because they look great from 10 feet away.

The truth of the matter is there is not a single guitar ever made that is perfect in every way. It doesn't exist.

I don't think it does either. But there is such a thing as maintaining very high quality of craftsmanship, and a maintaining a price that matches your quality.


Gibson just gets a bad rap for what, their price point and a few bad guitars put out there?

Uhm....no. They get a bad rap from a pretty low percentage of thinking and attentive people because of a absolute glut of mediocre guitars out there, priced as if they were built by magic Tennessean wood elves. They get a bad rap from this small percentage because over the past 10-12 years, their prices have gone through the roof, while their build quality has declined. They get a bad rap from these people because they have no pride in their work any more. They get a bad rap, again, only from a small percentage of us, for selling a high-end image, backed by only a mediocre product. This doesn't even get into the way they run their factory and treat their employees, or the whole wood debacle and their insane response to it!

As if companies like PRS and Fender never put out a bad guitar. In fact, IME Fender had put out far more duds and bad QC guitars than any company I've ever seen and yet nobody ever bashes them. Neck pockets that don't line up, crooked pickguards, bad frets, gouges in the wood, bubbles in the finish on their necks, saddles that cut strings when brand new and the list could go on.

Fenders are priced to match their quality. Gibsons are not. That said, I totally disagree. I find Fenders far more consistently well built.
 
Re: 2016 Gibson

I have a 2016 Ebony SG Standard in my cart at Zzounds right now.. I'm trying not to buy it but I'm losing the battle..
 
Re: 2016 Gibson

They sure are nice-looking guitars, and now the price is reasonable again. They've gone back to the big batwing pickguard too.

I think I'm in the minority, because I prefer the batwing guard to the smaller one. I actually liked the 2014 specials with no guard, as well.

For some reason, the batwing guard makes an SG look like a medieval weapon to me, like a battleaxe.

Not that either guard, at the right price, would bother me. I missed a chance at a 10 year old or so batwing (red) a year ago for $700 CDN. I'm still kicking myself. And while I often find the 490/498 problematic in a Les Paul, I find they really work in an SG (not that I wouldn't swap them anyway. There's a reason I'm on this forum!)
 
Re: 2016 Gibson

I held off for now. I really want an SG Standard though. I'm gonna wait until after Christmas and figure out exactly what I want. I'm horrible about making $1500 impulse buys.
 
Re: 2016 Gibson

I think I'm in the minority, because I prefer the batwing guard to the smaller one. I actually liked the 2014 specials with no guard, as well.

For some reason, the batwing guard makes an SG look like a medieval weapon to me, like a battleaxe.

Not that either guard, at the right price, would bother me. I missed a chance at a 10 year old or so batwing (red) a year ago for $700 CDN. I'm still kicking myself. And while I often find the 490/498 problematic in a Les Paul, I find they really work in an SG (not that I wouldn't swap them anyway. There's a reason I'm on this forum!)


Batwings have grown on me. They're a pain to swap PU's in, but that bold pickguard does make a statement (not sure what kind of statement). One of my favorite SG's has a 498T/490R pair, but with an UOA5 in the bridge and an A5 in the neck. Much better match
 
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