Re: 3 Humbucker Parker Nitefly - Am I Insane?
An update. I just couldn't get the alt 8 to sound good in the middle position, so today I switched it to the neck and put the invader neck in the middle. Finally, all 3 humbuckers sound great, with both the alt 8 and invader neck/middle sounding best parallel or split. The invader bridge sounds best series.
I missed the thicker, creamy, driven neck solos I could get from other guitars but couldn't with the very trebly and mid-lacking invader neck (in the neck position) in this guitar. And the stock single coil couldn't handle any overdrive for solos.
But the alt 8 set to parallel in the neck sounds great for this, with every tone setting returning great leads, even brighter settings. Not as many pinch harmonics as I get from the invader bridge, but that's not what I need in the neck. And it can handle high gain chug without splatting like it did in the middle, although its smoother than the invader bridge, which still has more character overall than the alt 8 at chugging and biting leads (alt 8 in neck vs invader bridge - bridge to bridge comparo is probably different). Clean leads sound great too, but so far I haven't found a way for it to do clean rthymns well because of the high output driving the amp; pretty hard attack.
And the invader neck in the middle handles this position better than the full shred or alt 8. In parallel it can chug fine, but the invader bridge and alt 8 do a better job of that. It can handle clean rthymns and bluesy leads well (the alt 8's clean bluesy leads are great too).
The only invader neck issue I have, in both the neck and middle positions, is it's high treble. It's just so much more than every other pup I've tried. The separate humbucker tone controls I'm using are great for pulling out bass, which is great for changes to chugging tones, but the treble reduction side is pulling the highest freqs only (just doesn't adjust like a normal tone control) and the option to cut mids as well as treble pulls too many mids, leaving thin tones.
Given this, is there a way to put a permanent in line cap that basically sets the highest freq equal to what would be some adjustment level to a normal tone knob? If so, what cap values do this? Same as what we use on a tone pot? I'm assuming I'd have to try a few different values to see which one balances it to the other pups. It's not the end of the world if I can't do this, but it would nice to not have to adjust the master tone so far down each time I peg this pup.
Aside from a few wiring tweaks, I think I'm finally done with this process, thankfully (famous last words).
