'59 B in the neck?

I had it in a Fender scaled 24 fretter, which sounded quite good. The 24 frets shift the neck position towards the mid and a longer scale makes the neck position sound tighter.
 
I'm afraid it would sound too boomy in a LP style guitar... or 25" scale superstrat type.
(I'm assuming the bridge pups are would to sound fatter to compensate for the thinner sound near the bridge -- is that even correct?)
 
Website says '59 neck is wound to 7.9 and bridge to 8.2. That's a 3.7% difference between the two . . . it would probably be a touch louder and more middy, but I'd be surprised if it's enough to make the pickup sound bad.
 
i agree that it might sound best in a 24 fret fender scale guitar, but ive heard it sound good in other things matched up with a hotter bridge pup
 
I'm afraid it would sound too boomy in a LP style guitar... or 25" scale superstrat type.
(I'm assuming the bridge pups are would to sound fatter to compensate for the thinner sound near the bridge -- is that even correct?)

Yes, it's correct - fatter tone and a bit more output, to compensate for the fact that string vibration is much narrower near the bridge.

I think it could sound fine, if you want richer mids than the 59N and have a fairly strong bridge humbucker to pair with it.
I probably wouldn't choose it for a dark or midrangey sounding LP but I bet it could be great for a bright or thin sounding one. Or a Strat.

59s aren't especially tight, but IME they're seldom actually boomy at the neck in a Les Paul, except one with a pretty deep voice, or maybe for high-gain players who normally would be choosing something tighter for their neck anyway.

PAF types at the neck in a Les Paul like being set quite low from the strings, nearly flush with the mounting ring.
Can be set to a more normal height in a Strat. At least that's been my experience using them in LPs and Strats.
 
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the wlh neck seems to have less bottom than the 59 (either model) and a bit more mids to my ear
 
Yes, it's correct - fatter tone and a bit more output, to compensate for the fact that string vibration is much narrower near the bridge.

I think it could sound fine, if you want richer mids than the 59N and have a fairly strong bridge humbucker to pair with it.
I probably wouldn't choose it for a dark or midrangey sounding LP but I bet it could be great for a bright or thin sounding one. Or a Strat.

59s aren't especially tight, but IME they're seldom actually boomy at the neck in a Les Paul, except one with a pretty deep voice, or maybe for high-gain players who normally would be choosing something tighter for their neck anyway.

PAF types at the neck in a Les Paul like being set quite low from the strings, nearly flush with the mounting ring.
Can be set to a more normal height in a Strat. At least that's been my experience using them in LPs and Strats.


Thanks!
 
I didn't like the 59n in the neck, it sounded too thin and scooped. I actually liked the 59b in the neck much better. I never had a problem with "boominess" that many complain about.
 
It doesn't sound that much different from a '59N, IMO. Just a tad warmer, a tad less scooped, and a tad hotter. Not by miles, TBH. Especially if you're pairing it with a hot bridge pickup.
 
It doesn't sound that much different from a '59N, IMO. Just a tad warmer, a tad less scooped, and a tad hotter. Not by miles, TBH. Especially if you're pairing it with a hot bridge pickup.

Yeah, that's how I'd describe it... warmer and a tiny bit less scooped (because of the slight increase in the mids), and a tiny bit hotter. No change in the bass. It's a subtle but necessary improvement over the 59n for the neck position.
 
The answer is probably “depends on your guitar and amp and style” so if it’s a pickup you already have throw it in there and see. If you’re buying something I wouldn’t spend money on a 59b for a neck spot.
 
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