...

Slap an AP2 in and don't worry. If you can't get Slash tone with pretty much any Les Paul, a JCM800, and an A2P, the problem is you - not the gear.

For the record, I get my favorite-best Sweet Child sound with a 9k PG and a Mesa Stiletto.
 
Here are three examples of pickups playing a familiar Slash tune.

One is in a Dean Cadillac Select w/ a PG neck
One is in a Dean Cadillac Select w/ an A2P neck
One is in a 1979 Les Paul Standard with the original T-Top neck

Mesa Stiletto, Shure SM57, into Garage Band.

You decide which is which. The Caddies are medium weight, the LP is heavy.
 
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I'd put the -1 in the first LP, and a -2 in the 2nd one. There is no wrong answer here...both pickups are the Slash sound.
 
A tweak of the bass or treble on the amp, either way, IMO.

I do agree with that. An amp's tone controls (or the tone control of a drive pedal) can make up for the EQ difference between the pickup models.
 
The mids aren't obnoxious at all in the APH (either one). They are warm and buttery...not quite like the upper mids in a JB for instance. They don't have a ton of treble or bass- certainly a lot less treble than the Pearly Gates (which doesn't do the Slash thing at all).
 
The APH-1 was my first after market PU, but it's too long ago, so i don't really remember much. All i remember is it's mellowness/softness.

i own a PG set and it's pretty tight and cutting for an A2 PU, i was really suprised about that. yes, definitely not buttery.

Sounds good, i will try an APH Neck PU first. That's a save bet, i like the mids of a neck PU.

Yeah, that neck pickup is 100% Slash right there. While I don't play any Slashstuff, it is my favorite neck pickup.
 
Here are three examples of pickups playing a familiar Slash tune.

One is in a Dean Cadillac Select w/ a PG neck
One is in a Dean Cadillac Select w/ an A2P neck
One is in a 1979 Les Paul Standard with the original T-Top neck

Mesa Stiletto, Shure SM57, into Garage Band.

You decide which is which. The Caddies are medium weight, the LP is heavy.

take 1 sounds best to me, closely followed by take 3. Take two is too muddy for my taste. Can you let me know which pickup is which take?
 
take 1 sounds best to me, closely followed by take 3. Take two is too muddy for my taste. Can you let me know which pickup is which take?

Haha - sorry! Don't remember anymore!

There is a thread here somewhere if you can find it.
 
i just put a set of 59s in a buddys guitar and i forgot how great they sound. i usually love my a2 buckers but the 59s sound fantastic in this guitar
 
Personally, when I tried the APH-2B, I didn't think it was very beefy. Quite the opposite, actually. I was surprised.

I would say either the WLH or the '59B are beefier, but maybe not very Slash-sounding.
 
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Anyway, i'm tweeking my 59s right now and i currently have an A3 int the neck and an short RCA5 int the bridge.
no boom int the neck at all and more filled in mids. Bridge is a lil rounder and less woofy. Better for an AC/DC kind of sound.

i like a3 neck with either uoa5 or a2 in the bridge, though i cant say ive tried a short rca5. i have an a3/uoa5 set of 59s and an a3/a2 set of antiquitys. love em both!
 
take 1 sounds best to me, closely followed by take 3. Take two is too muddy for my taste. Can you let me know which pickup is which take?

Found it:

And now for the big reveal!

Pickup A: Duncan Pearly Gates, that is a little closer to the strings than the other two

Pickup B: An A2P

Pickup C: A Gibson 1979 T-Top


** In the original thread, most people thought C was the A2P and nailed the Slash sound.

https://forum.seymourduncan.com/for...4-to-a2p-or-not-a2p-which-is-the-pickup/page2
 
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