7-string confusion

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Hello everyone! I have a bit of a dilemma: I recently invested in an old Dean 7-string just to challenge myself. I have a deep fondness for players like Steve Vai and John Petrucci and I decided to try out the new dimension for myself. In a matter of weeks my curiosity for the instrument turned into a bit of an obsession, and I am looking to give the instrument a bit of an update. Here's the low-down:

What I'm considering:

-Nazgul/Sentient pickup combo
-Pegasus/Sentient pickup combo
-Crunch Lab/Liquifire pickup combo (Dimarzio)

What you should probably know:

The guitar is an old Dean Avalanche 7. The body and neck are both made of basswood, and the fingerboard is rosewood. The guitar does have a Floyd Rose, but I'm not sure if 7-string pickups come in F-spacing. The guitar does seem to lack brightness, but this could just be due to the low quality of the stock pickups, which are directly mounted to the guitar. I always play in standard tuning, with the low string tuned to B. I play a Line 6 Spider IV 75W amplifier, if that matters.

What I'm looking for:

-A little more articulation in the bridge pickup.
-Although the pickups are absolute trash, they do exhibit a cool little trick that I would like my next pickups to be able to perform. When you go from the neck pickup to the bridge pickup, an increase in gain (and a little drive) can be heard without too much change in tone. I'm not sure what this is due to, but I believe it has to do with the massive difference in output levels between the two pickups. I love this aspect of the guitar.
-The neck has an excellent clean tone; it isn't super round like the SD Jazz I keep in one of my other guitars, but it has a lot of depth and fullness. I would like the next neck pickup to retain this quality.
-I'm a shredder, but I also value a lot of laid back progressive music and a little bit of jazz. I don't ever grind or get too intense with my metal; thrash and a tiny bit of death metal is as far as my musical tastes go in that direction. Also, country is a big no-no. I often have to balance both lead and rhythm parts when I play, and I want my guitars to be versatile to handle both.


So that's it. Which of those three pickup sets would work best for me? Or is there an unorthodox combination that would work best? Thank you in advance for replies!
 
Re: 7-string confusion

Thanks buddy for your input, but I've been told it is. This thing doesn't even have a serial number. Do you have anything to say related to my question?
 
Re: 7-string confusion

The Dean Avalanche definitely has a maple neck not basswood.


As for what pickups... Air Norton 7 plus Crunch Lab will cover more of the territory you are trying to hit but be careful trying to make a guitar super versatile. Instead of being killer for 2 or 3 things.. it winds up meh for 6 things.
 
Re: 7-string confusion

If you're more of a shredder type with jazz moments, I'd go with the Crunchlab/Liquifire. The other sets you listed are more for rhythm players, in my opinion.
 
Re: 7-string confusion

If you're more of a shredder type with jazz moments, I'd go with the Crunchlab/Liquifire. The other sets you listed are more for rhythm players, in my opinion.

I dig the liquifire but he said he didnt want a large change in tone from neck to bridge just an increase in crunch. The liquifire has chopped treble and a big mid boost. Where the crunch lab is more evenly voiced... I suggested the Air norton as another more evenly balanced pickup.
 
Re: 7-string confusion

Thanks buddy. Would there be a big enough difference in output between the CL and AN that I get the high gain/low gain effect that I want? Also, are the two SD sets I mentioned not really what I'm after?
 
Re: 7-string confusion

Thanks buddy for your input, but I've been told it is. This thing doesn't even have a serial number. Do you have anything to say related to my question?

Yes, Firstly, without reinforcement basswood necks would be too fragile. It also would be prone to denting. You were told wrong. Basswood is just generally not ever used for necks. I have heard rumors of homebrew necks with basswood and laminates, or basswood with internal steel and carbon reinforcement, but a basswood neck is just not done generally. Its a bad idea.

I mention this, because thats a pretty weird thing to say. I do build guitars fairly regularly. (maybe 50-70 I have made, repaired hundreds)


Personally, I would go dimarzio as I associate them with Vai and Petrucci as long time users. Also, I think your run of the mill seven string pickup is designed for a floyd. Not dead certain, but the ones I have installed lined up fine.

I would say the Nazgul is probably not what you want. It is all out, all the time. I have no experience with the Pegasus.
 
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Re: 7-string confusion

Thanks buddy. Would there be a big enough difference in output between the CL and AN that I get the high gain/low gain effect that I want? Also, are the two SD sets I mentioned not really what I'm after?

Yeah theres a good volume difference from the AN to the CL

The Nazgul is great but has an aggressive edge that never goes away. Even at low gain its never smooth its more like an idling chain saw.

The Pegasus and sentient are great but in the same guitar they would be pretty close in volume. If you are looking for a bit crunch from the bridge when you flip the switch it might be difficult to do with those.

In reality probably what would work better from the SD line up would be the Black winter bridge with the sentient neck. The black winter neck is great but pretty loud.
 
Re: 7-string confusion

Thanks everyone. I'll take a look at the Black/Winter and Crunch Lab/Air Norton combos. Thanks for the input!
 
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