Vasshu the humanoid typhoon
Unseen
Re: A bit more Info I found on EVH early guitars
Plywood
Plywood
So what was the guitar made of finally???
As fer nailing Eddie's tone, I'd say eqiopment is ... uhhh, I'd say, 20 percent. IMO, you do need the Plaxi, the effects, and 'a' similar guitar, however that alone is - like I said only about 20 percent. The REAL tone will come from yer ears, first (you have to hear it first, before you can transfer 'that' tone to yer fingers to "manipulate" out of the guitar the sound you hear in yer head, in this case Eddie's tone) then yer fingers.
You can get close with other equipment but the difference will be noticeable.
And that really is the way it is ...
Not entirely true !
You will need his exact picks, strings, guitar/amp lead and perhaps most important of all.....
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It just so happens I can supply a complete "EVH look- a- like dress up kit" comprising:
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1 x EVH cowboy boots
2 x EVH temporary transfer tatoos.
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Don't just sound like EVH........look like him too !
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it's amazing that they used the cheaper poplar in the 5150.... i've heard that before... i've made some strat and tele bodies out of local poplar before... this Ontario Canada local stuff is pretty warm sounding.... it's not as green looking as the poplar i see on Warmoths site... but the lumber store told me there is many types of trees all over North America called poplar so there you go...
one of the biggest tone adjustments i have found in trying to nail Eddies recorded sounds is really fine tuning your strings to the recording... forget the electric tuner... sit down and tune your guitar to the cd track you are trying to copy... often you will find that from track to track on each early VH album you will need to adjust the tuning slightly... not as bad as early ACDC albums but the same goes there as well... Running with the Devil is ever so slightly different then You Really Got Me and so on...
Poplar is a cheaper wood but I wouldn't necessarily call it cheap in terms of not worthy. My '83 Pacer Special is poplar and is one of the best sounding guitars I've played. I guess it really depends on what type of quality poplar it is like you said. Basswood is considered cheap also but is used quite a lot especially in expensive ESP guitars by 'shredders' because they like it for its tonal properties, even the $2500 EVH Charvel Art Series is basswood which some snobs turn their nose up on and say pff basswood its cheap crap. Then again I'm sure the type they use is of higher quality then the basswood you find in cheap guitars. Same goes for alder.
The tuning thing is interesting and I agree with you. He also tuned his B string a tad flatter I heard then the rest.
Its interesting to think about all this stuff and its becoming a tad cliche cause everyone wants to know and people just get sick of hearing about his tone all the time. You don't get that as much as with other artists. I'm a big Pink Floyd fan, Gilmour is the one that got me into guitar playing. Anyways theres a site called Gilmourish.com and its a great site with lots of info but when you think about it its f*cking geek central :laugh2: getting right down to the exact type of Big Muff pedals he used on certain recordings and if his Fuzz Face was silicon or germanium transistors. A tad overboard on certain things but anyways still a good site to read.
Whofan, I live in southern Ontario, KW area actually. I'm not good at identifying wood either man, unless its my own :laugh2: ...... ok bad joke. Anyways if you want an exact copy of an early 80's Kramer Pacer for a future 5150 project check out Southeast Guitars and he'll make you one, no CNC machines used either.
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"(No,)... the original (going back to VH! and II) was a body he bought from Wayne Charvel and a neck ordered through Charvel from Boogie Bodies (now Warmoth). Back then Wayne Charvel ran a repair shop/music store and marketed some replacement parts under the "Charvel" name. As a side bar, Wayne Charvel and Dave Schecter both used the same company as a source of financing for their businesses. It's possible that the body EVH bought might have been cut by Schecter instead of Charvel or could have been cut by Wayne Charvel at Schecter's facility; if you believe Grover Jackson (who bought out Wayne Charvel in 1978) the routers that Wayne bought had never been used. At any rate lets call the body a "Charvel" as EVH simply asked Wayne for the cheapest body he had in stock and Wayne grabbed it from the bottom of the pile.
That Charvel body and Boogie Bodies neck was the VH1 white and black Frankenstrat. The black & yellow guitar body and neck were Charvel in-house made by Grover Jackson. Evidently EVH didn't like the ash body and went back to the white & black guitar. By Women & Children First EVH had repainted the white & black guitar with the current red, black and white finish. The guitar had many different necks; EVH would break them or they would need refretting while they were on the road and he would just swap necks out. By the time he signed with Kramer in 1982 he got necks from them and put them on the original body."
Old thread (and sheesh, what a trainwreck) but I'm gonna say it:
The mythical EVH early album tones comes from Ted Templeman, Don Landee & lots of expensive studio gear like an EMT140.
If you listen to the pre-production ISO'd guitar track snippets floating around out there, Ed's tone is pretty "meh, decent cranked Plexi tone".