look here Steve, Ace is asking for mental help...We are not in Canada like you - the only solution here is spending money with careless abandon on premium goods that will give us a short premium level high followed by buyers remorse, spousal regret, and latent depression worse than when you started.
In the last decade, I have set foot in a brick & mortar guitar/music store and purchased something maybe 10 times total. A big reason is no one carries quality left-handed instruments... it's always the same sh!tty $200-special black Stratocopy with white pickguard.
Another reason: these are the places that sell Suck Tone gear; which helps perpetuate the Suck Tone Vicious Circle. The Suck Tone Vicious Circle is a circle of perpetual suckage that sucks you in with its new gear smell, novelty, fad appeal and empty tone promises - but your tone never actually improves and you essentially wind up losing $$$ because you sell the Suck Tone gear that you once thought was great but realize it wasn't... only to purchase newer Suck Tone gear. And of course, the Suck Tone Vicious Circle really takes advantage of the inexperienced.
Here is the Suck Tone Vicious Circle:
1) sucked in by new gear smell, novelty, fad appeal and (empty) tone promises
2) purchase of Suck Tone gear
3) new gear smell, novelty and fad appeal wear off; tone promises are found to be empty
4) disillusionment with Suck Tone gear sets in
5) the selling off of Suck Tone gear begins
6) use proceeds from aforementioned selling off of Suck Tone gear to get (go back to step 1)
You get nowhere because you keep going through a revolving door of gear that never hits the mark. At any point in the Suck Tone Vicious Circle, you can easily discern three things: sucky tone, a revolving door of gear and loss of $$$.
And yes, I too was once caught up in the Suck Tone Vicious Circle myself, but I pulled myself out.
I'm not necessarily jonesing for a Harmonic Trem.
I wrote a dissertation on this phenomenon... I call it the "Suck Tone Vicious Circle":
HAHAHA. Amazing.
It's amazing how many pedal companies are pimping the same simple circuit -just with different art.
Essentially people are collecting pedals out of emotional attachment to an artistic presentation or obsession with improving their guitar playing with perceived instant shortcuts to the best possible guitar tone.
I think LPB is with me here....Art is one of humanities defining and redeeming characteristics. Even if found on a pedal....nay, especially when found on a pedal!
I guess that I'm the reason that we just can't have nice things.It's a joke, not meant to open a political wormhole -you don't have to ruin everything inserting this kind of thing into threads.
So that's why people put decals on their AMC Pacers and Chevy Chevettes.I think LPB is with me here....Art is one of humanities defining and redeeming characteristics. Even if found on a pedal....nay, especially when found on a pedal!
Might be nice, but I'll be damned if I'm going to spend 500$ for a pedal. I think there's a point of diminishing returns that starts to happen at a little over 100$ and then kinda peaks around 200$.
I love my TS-7. Especially in hot mode.
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There is never a time for godawful unreliable footswitches like on the old DOD pedals or Ibanez Soundtank and Tone-Lok series.
It doesn't matter what the circuit sounds like or how cool the enclosure is if you have to step on the switch five times to get it to turn on.
LOL - have a Soundtank and Tone Lok!
Fair enough, but that consumption-only mindset would rule out just about every vintage piece of guitar gear out there.And I will likewise discount yours.
I am not buying any more garbage pedals with poorly designed mechanisms that need to be coddled.
I would rather spend the half hour dialing in different tones. That is what I bought them for.