JeffB
Let it B
I've been doing a little thinking lately...I know *SCARY*...about older gear...
stuff from the 80s mostly..but late 70s too..
This is our "new" vintage market. And it cracks me up...and this is why..
How many of us, day in and day out say on thse forums.."I'm sure glad we have gear like we do now, compared to how it used to be back in the 80s..stuff is SOOOO much better these days"...
If thats the case..then why are we seeing a market and prices continuing to climb for things such as
Japanese Squiers
Peavey VTMs and other "teal face" amps...even Bandits, etc
Old Charvel MIJs
The MIJ Clone company stuff..Pauls...SGs...Strats..Teles...
Fender Japan....
Old Kramers (MIJ/ESP)
Old Ibanez Destroyers like the one I had
Randall RG30/50/60/80/100/120 Heads and combos
Marshall JMPs
Marshall 900s
the list goes on...
I can speak for sev of those items personally
1) My first real strat was a Jap Squier, and I can assure you it was as nice as any production MIA put out there today and FAR FAR better than any of the MIM stuff
2) Charvel MIJs...:laugh2: Would put ALOT of guitars to shame..regardless of price...I had 4, IIRC..M4/6/7 and a 750XL or 850..cant remember which. I prefered these over the MIA jacksons I owned. They were PHENOMENAL instruments.
3) JMP MVs.. don't need much explanation....it was just the lack of versatility which killed it and the 2203/2204. But with versatility, Marshall lost it's "soul"
4) early Marshall 900s. Everyone hated them...but I think up until recently, people did not realize these were prolly the last well built, fair priced marshalls (even new). There are some good usable tones in them, even if they cant crunch and growl like previous marshalls. And they are FAR FAR better than a TSL
5) Japanese Clones: My 1981 Destroyer pretty much owned all but a couple SPENDY guitars. Oh sure it was beat up...but it dripped quality. And tone. And it played incredibly well. How I remember saying I did not want a japanese POS like this when I was a teenager:no: See also #1 and # 2.
6) Those old Randall RGs. I played one of these recently again. A RG50 combo to be exact. I tell ya what. Somewhere along the line: Randall lost its mind. Cos these old amps are SOLID (USA), and tonally are DANG FINE amps if you are looking for Marshall type crunch. I mean these don't sound OK, they SOUND GOOD (with some volume). They crunch hard like a 2203. It *IS* SS, but its not nearly as buzzy as a Valvestate or MGs, or current Randall RG series amps (RG2 series anyway)
7) Norlin era pauls: You may not like the design changes like volutes, and pancakes and whatnot...but lets face it..just like it is today with Gibson, Norlin built some GREAT gibsons, and some really bad ones. My 76 reissue Explorer(from 1976) and my early 80s custom shop are among the best gibsons I've ever owned and I would LOVE to have them back.
So are we just more wise in our old age?
I think that is a big part of it.
I also think..at the time...pre-MTV..pre HUge endorsement deals for the latest Video-wonder..before we had things like home computers in every house...and the internet....before musical instruments became a HUGE HUGE HUGE industry....Manufacturers actually had something to prove. People like Randall and Ibaneze and Peavey, and Charvel..because they didn't have such a big name..had to compete HARD for your dollar. And they produced some GREAT quality products..but many people..at least here in the states..brushed them off...Japanese? bah...Peavey? Randall? thats cheap SS kids practice stuff.
Now we have people:
paying $1100 for a mint Destroyer 555 or a Tokai Les Paul.
Peavey VTMs, Bravos, Bandits Ultras, etc..going for as much or more as similar new items..same with Randall.
MIJ Charvels? Nuff said...
JMPs and 900s going up and up each months..,
70s Strats...heh...
Not all of this is a "collector" market either. Not in the true sense anyways..like guys who collect Bursts...or 50s strats. Nope most of these items are snapped up by guys like you and me.
Just a rambling thought....what do *YOU* think?
stuff from the 80s mostly..but late 70s too..
This is our "new" vintage market. And it cracks me up...and this is why..
How many of us, day in and day out say on thse forums.."I'm sure glad we have gear like we do now, compared to how it used to be back in the 80s..stuff is SOOOO much better these days"...
If thats the case..then why are we seeing a market and prices continuing to climb for things such as
Japanese Squiers
Peavey VTMs and other "teal face" amps...even Bandits, etc
Old Charvel MIJs
The MIJ Clone company stuff..Pauls...SGs...Strats..Teles...
Fender Japan....
Old Kramers (MIJ/ESP)
Old Ibanez Destroyers like the one I had
Randall RG30/50/60/80/100/120 Heads and combos
Marshall JMPs
Marshall 900s
the list goes on...
I can speak for sev of those items personally
1) My first real strat was a Jap Squier, and I can assure you it was as nice as any production MIA put out there today and FAR FAR better than any of the MIM stuff
2) Charvel MIJs...:laugh2: Would put ALOT of guitars to shame..regardless of price...I had 4, IIRC..M4/6/7 and a 750XL or 850..cant remember which. I prefered these over the MIA jacksons I owned. They were PHENOMENAL instruments.
3) JMP MVs.. don't need much explanation....it was just the lack of versatility which killed it and the 2203/2204. But with versatility, Marshall lost it's "soul"
4) early Marshall 900s. Everyone hated them...but I think up until recently, people did not realize these were prolly the last well built, fair priced marshalls (even new). There are some good usable tones in them, even if they cant crunch and growl like previous marshalls. And they are FAR FAR better than a TSL
5) Japanese Clones: My 1981 Destroyer pretty much owned all but a couple SPENDY guitars. Oh sure it was beat up...but it dripped quality. And tone. And it played incredibly well. How I remember saying I did not want a japanese POS like this when I was a teenager:no: See also #1 and # 2.
6) Those old Randall RGs. I played one of these recently again. A RG50 combo to be exact. I tell ya what. Somewhere along the line: Randall lost its mind. Cos these old amps are SOLID (USA), and tonally are DANG FINE amps if you are looking for Marshall type crunch. I mean these don't sound OK, they SOUND GOOD (with some volume). They crunch hard like a 2203. It *IS* SS, but its not nearly as buzzy as a Valvestate or MGs, or current Randall RG series amps (RG2 series anyway)
7) Norlin era pauls: You may not like the design changes like volutes, and pancakes and whatnot...but lets face it..just like it is today with Gibson, Norlin built some GREAT gibsons, and some really bad ones. My 76 reissue Explorer(from 1976) and my early 80s custom shop are among the best gibsons I've ever owned and I would LOVE to have them back.
So are we just more wise in our old age?
I think that is a big part of it.
I also think..at the time...pre-MTV..pre HUge endorsement deals for the latest Video-wonder..before we had things like home computers in every house...and the internet....before musical instruments became a HUGE HUGE HUGE industry....Manufacturers actually had something to prove. People like Randall and Ibaneze and Peavey, and Charvel..because they didn't have such a big name..had to compete HARD for your dollar. And they produced some GREAT quality products..but many people..at least here in the states..brushed them off...Japanese? bah...Peavey? Randall? thats cheap SS kids practice stuff.
Now we have people:
paying $1100 for a mint Destroyer 555 or a Tokai Les Paul.
Peavey VTMs, Bravos, Bandits Ultras, etc..going for as much or more as similar new items..same with Randall.
MIJ Charvels? Nuff said...
JMPs and 900s going up and up each months..,
70s Strats...heh...
Not all of this is a "collector" market either. Not in the true sense anyways..like guys who collect Bursts...or 50s strats. Nope most of these items are snapped up by guys like you and me.
Just a rambling thought....what do *YOU* think?