Re: Adding A Tube Rectifier To A Guyatone S/F Fender Clone (and other upgrades)
I have used sag resistors both on the entire power line (affecting power and preamp stages) and also just on the power tube feed in various builds. They work to some degree, depending on the resistor values, but i dunno ..... on this project i wanted to turn it into a Fender Pro Reverb and it was an ideal candidate for a tube. I like old amps so there was never any doubt for me on this project ... a glass tube was what i wanted, so that's what i did. Not once have i ever complained about the cost of getting a suitable new power tansformer, i would do it over again exactly the same in a heartbeat, and i am not a wealthy person.
It's kind of like how you can now get s/s preamp tube replacements. No doubt very cool for some people, which is great. But i kinda like going to the source on some projects ... why imitate something when you can use the real thing ? For me, it's not just about the sound, but the old school technology .... if i had my way, pots would still be called rheostats, capacitors would still be called condensers, EQ would still be 'tone controls', and 'gain' would not be a word in the musician's vocabulary. This stuff is my hobby, i like working at this stuff and i love playing guitar with the results. I don't have a partner or family, and after i pay my rent and bills, i put what's left of my money into my gear (albeit with a lot of careful research and planning beforehand, I can't afford costly mistakes).
Plus i guess a lot of the music i love was made with the old stuff.
I too have played, owned and built many valve amps with s/s rectification and they've all been great, but i suppose the tube rectifier just adds more to the responsiveness. What can happen is that such amps can sag nicely with vintage-ouput pickups but get too mushy with high-output pickups. That's not really a problem for me because i don't use high-output pickups. For some people, it could be a problem. Plus i don't slam the front of amps too hard with pedals, I use overdrive rather than distortion and usually the drive is kept pretty low, and the level is boosting the original signal but only just to the point where the amp is giving up more edge and hair, not to the point where it sounds like the amp is about to cough out it's speaker cones and then collapse in a heap.
In this particular project, the original 'Twin' performance of the Guyatone appeared to need a double-headed approach to getting it to be a Pro Reverb ... changing the CBS-era resistor values back to the values of the original Pro Reverb circuit to get the gain structure throughout the amp right, and the rectification. I don't know for certain because i did all the work in one hit, but i suspect that doing either one of those two main changes would have made noticeable improvements for my tastes, but doing both just nailed it.
I dunno, maybe it seems strange to some people, but the old school stuff (parts) are still available and this was one project where i wanted to stay old school (or, given the donor amp ... make it more old school). I'll see how it goes over time ... it's good to know there are alternatives like the Copper Cap and sag resistors i can try if this version somehow disappoints me, but I don't think that's likely. The way it is, I've gone to the source as far as the Pro Reverb circuit (ok, different transformer and component types, but many original parts from the original amps would have been replaced by now anyway).
Besdies, if ya dig tubes, why wouldn't you want to add another one ? hehe.
Lil update ... I've got half of the effects loop built, another couple of hours and i should have it ready for testing.