DeadSkinSlayer3 said:Add's brightness.
Curly said:well ... I believe technically, it doesn't "add brightness" - it just doesn't cut anything ....
for example, Richard Thomson uses a custom Ferrington ax with a P90 neck/ strat mid/ Broadcaster bridge, with just 3 volumes - the tone is a result of the blend of those controls
a Fender tweed Champ is an amp with just a volume control, no tone pot, but the tone varies with the gain of the volume, to an extent
STRATDELUXER97 said:...The no load tone pot is a no brainer really....
John
ArtieToo said:John, you're too hard on yourself. I'll still think you're pretty smart even if you do use one. :laugh2: :laugh2: :laugh2:
Seriously though, most guitars come with tone controls. So I use that as the "norm". Modifying the guitar by removing that control will, in fact, "add brightness", even though you and Curly are technically correct.
I've always viewed the electronic interaction of pickup-coil/volume pot/tone circuit as a bit of a balancing act. Simply "adding highs" is not always going to be desirable. You just have to find that "sweet spot" in the whole package.
Artie
("Always" he says. . . yeah, since last November anyway.)![]()
WITH FULL DISTORTION said:what is that "no load tone pot"?
STRATDELUXER97 said:Artie....I Like removing the pot and the cap from my guitar circuits,especially with humbuckers,as it gives me every last bit of presence I can get from the pickup(s) The pot takes me 5 minutes to make and so I do that before getting the pot into my guitar... :wink:
John
ArtieToo said:Yeah, I have to try this sometime. I did it once, by accident, on the guitar that had the Stag Mags in it. (I accidently left the ground off the tone control cap.) In that particular situation, it was way too bright.
But it might be interesting to try with my `59's.![]()