Real talk - I only use magnets with NOS germanium true bypass tonewoods
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Your thoughts on Alnico 9 magnet
I have humbuckers with every magnet type! A2, A3, A4, A5, A6, A8, A9, and ceramic
Please don't burst my bubble and tell me there's an A1 and an A7... lol
If I specify a magnet after the pickup, there was a swap; otherwise, the pickup is stock:
Gibson Les Paul, Zhangbucker Crushbucker A6 bridge, Duncan Alnico II Pro neck
Gibson SG special, Lead Mini A6, Rhythm mini A4
Strat HSS, SD Pearly Gates Double Thick A6 bridge Duncan SSL6s middle/neck
Strat HSS hardtail, SD Perpetual Burn Double Thick A6, Duncan SSL6s middle/neck
Tele, SD Quarter Pound Tele bridge, Duncan Hot for Tele neck
Tele, DMZ Transition A6 bridge, Duncan Seth Lover A4 neck
Jackson V, Gibson 500T bridge, Gibson 498T A2 neck
RG, DMZ EVO2 A9 bridge, DMZ Fred Neck
Mini Travel Axe HSS: DMZ Air Norton Double Thick A8 bridge, Duncan SSL6s middle, GFS Mean 90 neck
Partscaster HSH: Burstbucker 3 Double thick A6 bridge, SD SSL6 middle, Duncan '59 A3 neck
Takeaways from the excessive amount of pickup swapping / magnet swapping I've done:
- I often prefer pickups that are slightly hotter than vintage, but with stronger magnets swapped in, rather than having a high DCR
- I love the way an A6 magnet thickens up the bridge position
- as guys like Clint have pointed out, double thick / extra thick magnets can really thicken up your sound
- I have a problem. I'm a gear-a-holic
- despite the above, I still need more guitars
- Swapping pot values, and/or adding resistors to the pickup switch so different pickups "see" different pot values, can really sculpt your tone
I have humbuckers with every magnet type! A2, A3, A4, A5, A6, A8, A9, and ceramic
Please don't burst my bubble and tell me there's an A1 and an A7... lol
If I specify a magnet after the pickup, there was a swap; otherwise, the pickup is stock:
Gibson Les Paul, Zhangbucker Crushbucker A6 bridge, Duncan Alnico II Pro neck
Gibson SG special, Lead Mini A6, Rhythm mini A4
Strat HSS, SD Pearly Gates Double Thick A6 bridge Duncan SSL6s middle/neck
Strat HSS hardtail, SD Perpetual Burn Double Thick A6, Duncan SSL6s middle/neck
Tele, SD Quarter Pound Tele bridge, Duncan Hot for Tele neck
Tele, DMZ Transition A6 bridge, Duncan Seth Lover A4 neck
Jackson V, Gibson 500T bridge, Gibson 498T A2 neck
RG, DMZ EVO2 A9 bridge, DMZ Fred Neck
Mini Travel Axe HSS: DMZ Air Norton Double Thick A8 bridge, Duncan SSL6s middle, GFS Mean 90 neck
Partscaster HSH: Burstbucker 3 Double thick A6 bridge, SD SSL6 middle, Duncan '59 A3 neck
Takeaways from the excessive amount of pickup swapping / magnet swapping I've done:
- I often prefer pickups that are slightly hotter than vintage, but with stronger magnets swapped in, rather than having a high DCR
- I love the way an A6 magnet thickens up the bridge position
- as guys like Clint have pointed out, double thick / extra thick magnets can really thicken up your sound
- I have a problem. I'm a gear-a-holic
- despite the above, I still need more guitars
- Swapping pot values, and/or adding resistors to the pickup switch so different pickups "see" different pot values, can really sculpt your tone
How would you compare the topend of an A6 to an A5? I typically love the low end of an A5, but wish the high end was a little softer.
That's basically what you'll get. A6 is very similar to A5. The round bass is almost identical. The 2 main differences are the top is slightly rounded and it has added soft low mids.
Sorry. This will be a vague answer, but it's along the lines of why they didn't have a channel 1 on old TV's. Somewhere around here I have a PDF document from the "magnet" society. The number comes from the date it was developed. Not it's magnet strength. Number #1, might have been a formulation that failed, or fell out of favor.
Again, sorry. Late night explanation. I'll see if I can find that PDF.
Ooop. There is an A1. Almost the same as an A2. I can't upload the PDF. It's too big. Maybe I can find it online.
It's "Magnetic Materials Producers Association (MMPA Standard) No. 0100-00"
https://allianceorg.com/pdfs/MMPA_0100-00.pdf
I would add that A6 has very muscular mids, especially low mids. To my ears, this makes it somewhat dark sounding, even though there is more treble bit to an A6 than there is to A2, 3, or 4.
UOA5 is often (accurately) called a cross between an A2 and A5. I would say A6 is like a UOA5, but much hotter, and much tighter (doesn't have the sponginess of an A2 like UOA5 does)
__PRESENT
What about Alnico π ?
Where's A4?
Not a stab at you, Artie... sorry if it seemed so!
I just found if weird that a comprehensive article like the one you posted didn't mention it.
Where's A4?
No, no man. Didn't take it that way at all. I didn't notice the lack of A4 when I first saw that article. Not sure why they omitted it. I wonder if there's a newer version of that document?