I am a big fanboy of both UA5 and A6.
Both of my Ant sets have an UA5 in the bridge, but the 59B and the PGB have an A6 now.
I've long wanted to try an A6 in the BB Pro bridge that came in my '07 LP. It's a bright guitar and the BB was very harsh & scratchy.
Creme Brulee bridge from Rewind sweetened it up nicely, but I'd rather use the CB elsewhere and put the Rewind back in, but with A6.
Still deciding whether or not to get a double thick A6 for it though.
Question: in your Ants, was the UA5 a pretty significant difference - tonewise and volumewise - from the degaussed A5s?
Have often wondered about that; I love UA5 everywhere I've tried it, but have never compared it to aged A5 in the same pickup.
My own Ants are in a fairly mid-heavy PRS (surprisingly middy for a core model) and the Ant bridge is just too honky there.
Might move them to a Les Paul.
But I'm quite curious about how UA5 compares to the degaussed A5.
(Unless, as some think, the Ants actually use UA5 instead.)
EDIT: hamerfan, just realized you're the one who felt the Dun-aged mags were unoriented.
I assume you tried regaussing 'em with your neos, and got no change.
Which would indicate they were fully charged already, presumably UA5 rather than A5.
I thought my Ants sounded a bit more immediate after treating them with my neo disc.
Still, I was using Zhang's wave-by technique, not direct contact. Might've just been hearing what I expected.
It also could be that the Brobuckers' "aged" are degaussed A5 while the Ants' "aged" are actually UA5.
You meant aftermarket UA5s in your own Ants though, right?
Hey, we can now edit a post with a quote in it again! Yay!