Same here. Have 2 in guitars right now both mid 1990's Washburn USA Super strats and they are fantastic sounding guitars. Had a JB in a little Ibanez a while back that just sounded HUGE in that guitar!! I pulled the bridge pickup just to see what it was and was shocked that it was a JB as it had a really BIG and round bottom in that particular guitar!!I rather like it in superstrats, to be honest.
Only been SD member since 2017 bro.
Flabby bass, harsh mid spike. Gheez, how did that thing become one of the best selling pickups of all time?
I love that unique harmonic business that the JB has going on. It's really pretty to me. Hybrid'd with the Super D, it rounds the bass and retains all that harmonic character.
How did Mustaine manage keeping his bottom end crisp and tight? Besides going to the gym 4 days a week...
He used JBs for how many albums?
I think it's more a question of the JB being matched to the right guitar. Too much lower mids, it gets flubby. If the guitar is naturally thin, the JB usually sounds annoying. In the right guitar, it's awesome.
Also true that amp, speakers, and EQ matter. Cut bass before hitting preamp, beef it up in the effects loop/power amp sends is very standard metal tone technique (done any number of ways, from cutting bass with dirt boxes to graphic to parametric EQs).
Mustaine is also a ridiculously tight rhythm player. Who isn't afraid to leave room for the bassist to work. A lot more comfortable with mids than most speed metal players. [Except on Countdown to Extinction, where he may have used a different pickup for some of the rhythm parts, and VHT power amps, which didn't last long before he went back to his Marshall dual 100W monoblocks.] Dann Huff got him to try other gear for Risk & Cryptic Writings, too, but he still wound up right back at the JB as his bridge pickup and Marshall dual 100W monoblock power amps into his same 4x12s again for his live rig.
Drugs. Lots of it. And when all your money is gone, try to meet the record company's deadline for a finished album. Then when he couldnt smoke/mainline enough to burn all his cash, I believe he used the bible and active pickups.
I got a JB/JAZZ set in most of my guitars
The swamp ash Gibson LP loves them
The Basswood Ibanez RG2 adores them
The mahogany Ehdwuld branded semihollow LP couldn't be happier
The JB is real particular about where it sits under the strings
Too high it's an ice pick
Too low it's a muddy mess
If you find that sweet spot
Its 80s hair metal all day long
The JB's popularity mostly comes from its age. It's been around for longer than most other pickups so it's had longer to sell and grow a reputation. Same with the DM Super Distortion and EMG 81. Look at everything related to electric guitar; there are lots of old designs for every type of piece of gear which people still pay a huge premium for even though there are categorically better options now available. We have better tools than ever before yet people still insist on using the thing they heard about twenty years ago, or what was popular in the 70s, or what was quickly and thoughtless invented in the 50s. Bass players are a bit more clued-in, but not by much.Flabby bass, harsh mid spike. Gheez, how did that thing become one of the best selling pickups of all time?