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Here's what I did:
500K tone pots
Tone caps to taste - .015 neck & .022 bridge
Cap & 150K resistor in series with 680pf cap for bridge volume and .001uf cap for neck volume.
I really like the .015 tone cap in the neck - much more usable range.
.022 sounds "right" for the bridge.
500K tone pots a BIG improvement, and I can always just roll 'em down.
I'd experiment more with the treble bleed alternatives if it weren't such a beast to get into for modifying stuff.
Kept the following only for general info:
I had to pull the electronics out of my Heritage 535 (335-like) because of a bad connection on the switch. It has Antiquity humbuckers, 500k volume pots, 250k tone pots, and .022 tone caps (unknown brand, yellow cylinders like Mallory 150s).
Since I never want to take the guts out of this guitar again, I only want to change things once. The neck pickup has always seemed a bit dark. The bridge pickup was kind of bright and thin, but that may be because the bridge pickup ring sits so that the top of the pup front-to-back isn't parallel with the strings. The edge closer to the neck tips away from the strings. I plan to sand a bit off the bottom of the pickup ring to fix that while I'm working on the guitar.
Both tone pots made the guitar very dark quickly. IOW less than "7" on the Tone was pretty worthless.
Turning either volume pot down much made the tone very muddy, so I'm thinking about some type of treble bleed.
Questions:
1) Should I replace both tone pots with 500K, just the neck tone pot, or leave 'em alone?
2) Should I replace the neck tone cap with a .015uf?
3) Should I replace the bridge tone cap with a .033uf?
4) What's the best treble bleed mod for the volume pots?
I've messed around a lot with Strat-style pickups and guitars but haven't worked much with humbuckers. For example, I like a .0011uf cap in series with a 100k resistor for treble bleed (Kinman) with a single coil and 250K volume pot but don't know how well that works with a vintage output humbucker.
Thanks in advance for any advice.
Cheers,
Chip
Here's what I did:
500K tone pots
Tone caps to taste - .015 neck & .022 bridge
Cap & 150K resistor in series with 680pf cap for bridge volume and .001uf cap for neck volume.
I really like the .015 tone cap in the neck - much more usable range.
.022 sounds "right" for the bridge.
500K tone pots a BIG improvement, and I can always just roll 'em down.
I'd experiment more with the treble bleed alternatives if it weren't such a beast to get into for modifying stuff.
Kept the following only for general info:
I had to pull the electronics out of my Heritage 535 (335-like) because of a bad connection on the switch. It has Antiquity humbuckers, 500k volume pots, 250k tone pots, and .022 tone caps (unknown brand, yellow cylinders like Mallory 150s).
Since I never want to take the guts out of this guitar again, I only want to change things once. The neck pickup has always seemed a bit dark. The bridge pickup was kind of bright and thin, but that may be because the bridge pickup ring sits so that the top of the pup front-to-back isn't parallel with the strings. The edge closer to the neck tips away from the strings. I plan to sand a bit off the bottom of the pickup ring to fix that while I'm working on the guitar.
Both tone pots made the guitar very dark quickly. IOW less than "7" on the Tone was pretty worthless.
Turning either volume pot down much made the tone very muddy, so I'm thinking about some type of treble bleed.
Questions:
1) Should I replace both tone pots with 500K, just the neck tone pot, or leave 'em alone?
2) Should I replace the neck tone cap with a .015uf?
3) Should I replace the bridge tone cap with a .033uf?
4) What's the best treble bleed mod for the volume pots?
I've messed around a lot with Strat-style pickups and guitars but haven't worked much with humbuckers. For example, I like a .0011uf cap in series with a 100k resistor for treble bleed (Kinman) with a single coil and 250K volume pot but don't know how well that works with a vintage output humbucker.
Thanks in advance for any advice.
Cheers,
Chip
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