jeremy said:gh, what amps are you using?
Benjy_26 said:I'm plainning on putting them on a Yamaha AES500. It's a bolt on maple neck with a rosewood fretboard, mahogany slab body, and LP Jr. style tailpiece. This guitar sounded too thick and bassy with the 59/JB combo I tried with it. Do you thing the VPAF set will sound brighter than the Duncans I tried before?
GHWelles said:Did you have 500K pots?
I don't really know, the DiMarzio Virtual PAFS sound a little dark to me. They seem to work well in taming bright guitars, though you can really crank the treble settings without too much hiss or noise due to the "air" technology".
If you want a brighter sound, a lot of people recommend the Pearly Gates, and the APH-II in the neck is a bright and really great sounding neck pickup IMHO. The APH-II pup in the neck would be much brighter than the '59 I think.
Majestic said:Let's talk some more about this.
I've seen reviewers use the word "chimey", and that makes sense from a PAF, but I thought the VPAF was supposed to simulate an A2 magnet, which I would've thought would elimnate some chime.
When people refer to a "3D" quality to the VPAFs, what exactly is it they're referring to ?
Do the pickups live up to DMZ's description of being tight on the lows, and warm on the high strings/frets?
I realize I could just get a Duncan with an A2 magnet for my EBMM Axis guitar, but I'd actually like to just plunk in a DiMarzio, if it fits the bill. Anything will be better than the stock pickups, which are just too thick/hot/bassy. I think they rate at 16.3k or something.
I normally would be paranoid about putting this pickup in my Floyd-equipped Axis, but I'd like to install it in my Axis with a vintage trem, which is warm & soft.
Fusion1 said:GH Welles how well can it pull off clean jazz work? I bought a bridge Virtual PAF off of Kevlar on the forum here but I don't have anything to put it in yet. I probably will wait till i get a matching neck to suit it better.
Majestic said:So the equalization of the pickup is appropriate for certain variations of VH tones?
I don't want first-album tones.....although supposedly that album's brightness was from the producer/mixer, and not Ed's rig.
I like the tones on WACF, and 1984, especially.