Anyone try the WLH/Pearly Gates combo?

Seraphial

New member
Had a PG neck lying around and am thinking about replacing the pickups in my PRS S2. Looking for something vintage with character and can split.

Noticed the Whole Lotta Humbucker and saw that it recommends an A2 like the PG in the neck for a 'distinct middle sound'. Any thoughts on this combo?
 
Re: Anyone try the WLH/Pearly Gates combo?

I have.

It's good. The PG-N is a bit smooth compared to the bright WLH-B, but I personally like smooth neck pickups. What I like about the PG-N is that it isn't as bassy as the usual A5 PAF.

I'm not sure they'll split particularly well, TBH. I would think that them being low output and bright already, they'd be kinda anemic split.

:)
 
Re: Anyone try the WLH/Pearly Gates combo?

i love the wlh neck even more than the bridge which is pretty sweet too
 
Re: Anyone try the WLH/Pearly Gates combo?

Thanks guys

So if I was aiming for something splittable, I was also entetaining the 59/Hybrid as well. I know its a very different pickup from the WLH, but still in that vintage realm. Always nice to try new pickups anyway!

Maybe a PG & 59/Hybrid set? Splittable for more options?
 
Re: Anyone try the WLH/Pearly Gates combo?

Thanks guys

So if I was aiming for something splittable, I was also entetaining the 59/Hybrid as well. I know its a very different pickup from the WLH, but still in that vintage realm. Always nice to try new pickups anyway!

Maybe a PG & 59/Hybrid set? Splittable for more options?

That’s the set I just put in my HH Strat, though my PG in the neck is actually a bridge pickup. I don’t have a middle position. I use a theee way switch and opted to do no signal in that position. They pair up well together.
 
Re: Anyone try the WLH/Pearly Gates combo?

First - I do not own and have never played a WLH. But - I imagine based on reading it would be great with a PG neck (lots of experience there!)

Second - ANY hum bucker CAN be split. The question is will it work for you? The bottom line is to equal a standard single, you'll need something in the 10, 11, 12k or hotter range minimum. That is gonna be generally a bit sportier than a standard PAF style!

I have split PG's in a guitar...toss a little more gain, and maybe volume and they work just fine. For me....
 
Re: Anyone try the WLH/Pearly Gates combo?

I have a WLH set, and it sounds great. I'd have no desire to put a PG in either slot. The wind of a PU is more important to the sound than the magnet, so I wouldn't get hung up on magnets when pairing up PU's. WLH's are warm, much warmer than '59's, and both have A5's. If you want to do something interesting, wire your PU's so the screw and slug coils are paired up in coil split in the middle position (bridge: hot black, green & bare ground, and red/white paired, and neck: red hot, white and bare ground, and black & green paired). It makes a 'virtual' humbucker, using a coil from each PU, and you could combine different winds, resistance, and magnets in 'one' pickup. That's a distinct middle sound.

When I make neck hybrids, it's combining a coil from a bridge PAF with a coil from a neck PAF to add clarity and high end. Since we know next to nothing about the winds (PU makers are like that) I go by resistance. You could combine coils in a hybrid that are similar and not get much of a change if the resistance is also close. A 5% difference in resistance between coils gives more treble, and a 10% difference gives more treble, even with a warm magnet. My '59B/'59N hybrids with an UOA5 have more high end than a stock '59N, and don't have the bassy low end that '59N's sometimes do.
 
Re: Anyone try the WLH/Pearly Gates combo?

WLHb with a PGn would be brighter and chime-y-er in the neck than the bridge and have a bit of low end thump in the neck as well but would generally still match in tone and EQ profile. Middle position would be chimy but controlled like a good vintage 335 sound. The mix of the RCA5 in the bridge with the bright PG wind and polished A2 would cause that. Bridge by itself would be a good solid midrange rock sound with tamed top end, not as bright as the neck. Bridge has some solid bottom but not thumpy or chunky so much. Amp, guitar model etc can change or fine tune all of the above. My experience is in a Les Paul Studio and an SG.
 
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