I have both an AZ and a CC and had used both of them in the same guitar. From that comparison, to me they sound like cousins. They both have the fat mids and smooth highs but the AZ has tighter lows and more of them (which I don't find to be too much or muddy either). They both cut through in a band setting great, they both split well, and they both sound incredible in Strats.The AZ is my favorite DiMarzio.
I'm not sure why Benji says artificial harmonics are harder to get from it than the other two. I have no problem getting any at all. Actually, I find the C5 to be less responsive to them than the AZ, and I just swapped the AZ in to another Strat that had a C5.
I have both an AZ and a CC and had used both of them in the same guitar. From that comparison, to me they sound like cousins. They both have the fat mids and smooth highs but the AZ has tighter lows and more of them (which I don't find to be too much or muddy either). They both cut through in a band setting great, they both split well, and they both sound incredible in Strats.The AZ is my favorite DiMarzio.
I'm not sure why Benji says artificial harmonics are harder to get from it than the other two. I have no problem getting any at all. Actually, I find the C5 to be less responsive to them than the AZ, and I just swapped the AZ in to another Strat that had a C5.
I tried all three (and a lot more) pickups in my '81 Hamer Special. It's a double cut mahogany LP Jr body style with a sustain block bridge and a thin flame maple cap.
To me, the overdriven rythm tones were a bit TOO bassy to retain definition in this guitar. The lead tones on the high strings in the upper registers were cool (very thick & singing), but I felt that I had to fight the guitar more when trying to do pinch harmonics on the bass strings. I don't know why that was, but this particular guitar just seems to be easier to play with the C5, Screamin Demon, or Super Distortion.
as evidenced by Ace Frehley and Adrian Smith.
Mahogany slab, there's the answer.The Air Zone is not really a mahogany guitar pickup. It's really meant for basswood, alder and even ash. Mahogany is fat by nature so putting the AZ in there only compounded it more. Now, the Super Distortion is a different beast. It's one fat pickup, but it has less lows and mids than the AZ and it has more treble than the AZ. That one was made for mahogany as evidenced by Ace Frehley and Adrian Smith.
Difference in scale lengths...lots more harmonics in a long scale guitar, and easier to get pinches. Thats the one thing that I find lacking in the AZ/SuperD/Schenker Customs (all very similar)...in a short scale guitar they are not "pinch friendly".
It's more about finding the harmonic nodes. They're a little narrower on a 24.75" scale vs. a 25.5" scale guitar. There's a little adjustment but once you find 'em, no problem. At least for me.Is this really true about short scale length guitars??
Can others comment on this...
I'm asking coz i've always used 25.5 scale guitars and love my pinch harmonics...
I'm thinking of buying some 24.75 scale guitars, but if this is true... :smack:
I agree. I'm a fan.About the AZ -- I have it in the bridge if my hardtail ibanez.
It's fat, warm, crunchy, has just enough top end sizzle, has good note definition, and pinch harmonics can scream.
It also has a bit of that ummm "airy" sound.
Awesome pickup!
5 minutes??? That's not enough time to evaluate a pickup. There's a height adjustment, pole adjustment, all that jazz. What all did you try before coming to your conclusion?I used one for about 5 minutes. Not a match for the Frankenstrat I tried it in.