Behringer and Ethics...

Re: Behringer and Ethics...

My bass amp is a Behr combo. When I was gettin' a bass, I could afford a decent bass, but not a decent amp at the same time. I had just written a tuition check, so if it wasnt for Behr, I wouldnt have a bass or an amp for it.

Trust me, when I get out of school, I'll think about getting a new amp, but for now, I am glad Behringer is there. Nowhere else would less than $200 get me a 12" with 60Watts.

And the craftmanship is flawless......
 
Re: Behringer and Ethics...

Peterku - I totally agree. Lets face it, the Lews and Gearjonsers of this world aren't gonna be buying behringer stuff, they'll be after good quality valve-driven stuff. The people who buy behringer (like me :) ) aren't those who would otherwise have spend tonnes of cash on a valve fender / marshall, IMO. Havign said that, it must be a pain for someone working at Boss to make something really cool, only to have someone else nick it and steal the market away from them...

Incidentally, has anyone tried any of these behringer "copycat" pedals? How do they compare to the boss ones they're modeled after?

Oh, and pandemonium - grow up buddy :rolleyes:
 
Re: Behringer and Ethics...

In all fairness I don't think he was attacking you, just pointing out that ethics and the law don't always overlap. Just my $.02 however.
 
Re: Behringer and Ethics...

Maybe I't was coincidence, but the one time I tried two behringer amps at GC, they were both defective. They seemed really cheap as if the knobs would fall off if you sneezed on them.
 
Re: Behringer and Ethics...

Jimbojsr said:
aaa, i see. The resemblance is rather spooky... mind you, you'd also have to sue Tokai, Blade, etc etc for their Fender guitar copies....

Ahh.....funny that you should bring up both Fender and Tokai.

Fender sued Fernandes in the 80's for use of their shapes in instruments. Fernandes were being manufactured abroad (Japan I believe) and imported into the United States. Fender was one of the first companies to have to "defend" their copyright. While they did win against Fernandes the reason why other manufacturers can use the shape is because they license from Fender. if you get a Warmoth neck with a Strat hadstock it is stamped "Licensed By Fender" on it.

Tokai is also funny because they harken back to the late 70's in Japan with making exact clones of both Gibson and Fender. This same factory was also making models for Ibanez, hence the "lawsuit" story which results in Ibanez changing their design before Gibson has the chance to serve them with the suit. At any rate Tokai can make others designs because they don't export clones into countries where the oriiginal maker of the model shape holds a copyright, or to a country that will enforce it. This is why there are no Tokai dealers in the United States, or of there are they've been really quiet about it!

How this relates to Behringer is pretty simple. Both Tokai and Fernandes came into the picture when the original manufacturer were at a disadvantage; Gibson during the Norlins era and Fender in the early 80's. They reverse-engineered, made a better product and spanked them in the market brutally. Boss may not be in dire straits with QC but they have essentially made the same pedals for an etensive amount of time with little change in the price. If you do something for long enough you figure out a way to make it cheaper; it's just kind of one of the laws of business. Boss has done this in the past; moving manufacture to Taiwan is a good example. But the pedals have either remained the same price or even gone up. Even with R and D costs figured in they're basically making some of the same pedals they were years ago and charging the same or more, a business practice that pretty much will put you in the cross hairs of any company that could potentially be your rival.

Behringer saw this and did their equivilant pedals. Is it ethical? They don't care. And they're betting that for an equivilant pedal to Boss' offerings all under fifty bucks people won't either.

Whether they're right or not is yet to be seen...the pedals haven't hit the marketplace. Boss is going to either have to figure out how to offer pedals cheaper or bet that every guitar player making the decision between the two offerings palces more than $50 on ethical practices.
 
Re: Behringer and Ethics...

As a general rule, behringer is usually complete crap. BUT, I don't think it's fair to always discount them because they do have a few gems that make for great deals if you wade through the crap. Like- I would NEVER, EVER buy a behringer eurodesk or behringer monitors. But for my purposes the vamp has been a great asset and the mic100 mic preamp, though ****ty, is identical to the ART version which is more expensive. It's just that they're both no good. Want proof that not ALL behringer sucks? go to www.andysneap.com and click his equipment. Right alongside expensive gear you shall see like three behringer products listed. But as a general rule it really is best to be skeptical of the company- you have to try the stuff out yourself before you buy.
 
Re: Behringer and Ethics...

Death's Acre said:
...But as a general rule it really is best to be skeptical of the company- you have to try the stuff out yourself before you buy.
Totally. I was lucky enough to have a shot at the v-amp 2 when all i had was my epi 335 and marshall mg15 :crazy: so compared to my existing rig it sounded amazing. I also had no idea about pods or v-amps or whatever, so i was fairly 'unbiased', if that's possible.

IMO, behringer should get the go-ahead to do what it wants - as long as 25% of its stompbox takings go to boss :D
 
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