Best amp for covers band

Re: Best amp for covers band

Thanks for the input so far guys, I think the vibe is going to be a rock covers band that play weekend gigs in pubs. So there may be much need for clean tones!

Still, its good to have a nice clean sound, and a main dirty rhythm with a boost for any solos/lead parts.
 
Re: Best amp for covers band

Your amp does clean and dirty? I think in your shoes I'd just want a pedal (the Tech21 character series caught my eye, and I'm pretty choosy, I hate most pedals) that does Fender if my amp is Marshall-y, and vice versa. I like the demos I've heard of the California. I don't think you have a bad amp at all (and I probably like it better than all the gear you said you sold!).
 
Re: Best amp for covers band

It does but not versatile enough to cover the vintage-y tones and stuff. I mean, I could try and dial in a nice rock rhythm sound on the crunch channel but 6505+'s are known for being a heavy metal type style amp.

I just Marshall's cover the tone pretty well, alot of covers I see are normally using a Marshall amp of some sort.
 
Re: Best amp for covers band

If you have an Ipad Air or newer you could run Jam up and get a floor controller. I gigged mine for a year just fine and left my Marshall at home. I ran an Irig HD guitar input, Ipad, Jam up, DI Box and blueboard. I used my real wah with it and it all sounded very good.
 
Re: Best amp for covers band

It does but not versatile enough to cover the vintage-y tones and stuff. I mean, I could try and dial in a nice rock rhythm sound on the crunch channel but 6505+'s are known for being a heavy metal type style amp.

I just Marshall's cover the tone pretty well, alot of covers I see are normally using a Marshall amp of some sort.
I hate to keep beating on this point but it always seems to be missed.

You know Ted Nugent uses two 6505+ half stacks on tour?

The 5150/6505 and 5150-II/6505+ are basically the Soldano SLO 100 with added gain potential. Clapton and Warren Haynes used the SLO for years and years.

Turn down the gain knob, turn up the mids a tiny bit, and get an overdrive.

Good clean tone - clean channel, crunch off, gain low, volume high
Good crunch tone - good clean tone plus a nice overdrive
Good classic lead tone - the lead channel with the gain not cranked above 5 and the mids up

Oh, and turn down the resonance for those. The resonance pushes that more modern tone.

You can do whatever the heck you want but you already have an amp that'll do what you want perfectly if you just play with the controls. Just trying to save you some money. :)
 
Re: Best amp for covers band

I think you should get a line 6 amp and call it a day. I've seen a couple wedding bands and the guitar players seem to like those things. I think they at good for trying to copy someone else's sound, and I don't think you can beat the versatility.


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Re: Best amp for covers band

I own 8 amps and have owned nearly a dozen others. I have played in cover bands for 50 years. The one amp (from a lot of personal experience) that really can do everything you will ever want to do, and can do it alone, without any pedals, is the Line 6 Flextone 3. They are really cheap used...cheaper than you'd pay for a couple pedals alone. Here's one example...http://www.ebay.com/itm/Line-6-Flex...982746?hash=item1a0d66ae1a:g:~VEAAOSwoydWsRVT.

Now, here's where I'm coming from. I hate almost all modeling amps, Vox, Line 6 (especially the Spiders), Peavey, Marshall, etc. They all sound like cheap crap. (I haven't tried the Line 6 DT series however). But this Flextone is really amazing. With a "Shortboard" to program it, the possibilities are endless. You can get it in a 1x12 75 watt or 2x12 150 watt stereo.
 
Re: Best amp for covers band

For me there are two schools of thought to consider.

First option...

You play in a cover TRIBUTE band. You need to emulate EXACT tones of that band, and play the songs note-for-note. Recently saw one of the Beatle Tribute acts. They tour nationally. They do the same set of songs every night. They have a backline of VOX AC-100 amps for decoration. All the parts are played through modelers, and then direct to FOH and monitors. "George" had a Gretsch, Ric12, RW Tele, etc. "John" had his Ric, a J-160E, Casino, etc. Tones were very good and captured the recorded tones. Great show, a real nostalgia trip for me. Obviously in this case, using using a modelling amp, pedalboard, or preamp like the Fractal or Kemper is the way to go. Welcome to programming.


Second option...

You play in a weekend warrior pub band or do wedding gigs and the like. You want to capture the flavor of the song, but you might not being doing exact recorded versions. You may be doing your own arrangements, or might not have the time, energy, skill or desire to do exact copies. You may be on a limited budget. You like great tones, but basically understand that most people in the bar are not agents or audiophiles, and "close" is good enough. You've got some good pedals, but you'd rather play than spend your time twisting knobs.

I'm definitely in this latter camp, and I think this is one of the reasons I chose Mesa 20+ years ago. I like that the amps are versatile, and can produce a wide range of tones. While the market for the Rectifier Series is pretty specific, the Marks, Nomads, Dual Calibers, Express, TAs are more versatile and can handle many different styles and various guitars. But, in this situation, the style of music and the size of the venue are factors to consider. I like the dynamics of a big amp, but for most clubs these days, 35-50 watts are enough...a little more perhaps if you playing a lot of super-clean rhythm guitar parts. It might be a BF Fender or Hot Rod, a Line 6, a Peavey Classic, a modeller or a pawn shop prize. Above all...choose something that you have confidence in and that inspires you. For me, that's my Mesa amps.

You may find yourself somewhere in between these scenarios. You may find that using a Boss GT-100 into a Fender Bassman is all you need, or maybe into a PA power speaker from the likes of JBL Eon or QSC. Some guys use multi-amp set-ups. You just have to find your way.

I think it is critical to have a fundamental understanding of your philosophy and your musical goals and how they relate to these scenarios. And there's always the size of your wallet to consider.

Today's guitarist, playing a variety of styles in differently-sized venues in bands with a variety of instrumentation is probably going to need a stable of professional quality, reliable, and well-maintained amps. Until you reach a level of fame where you wear sunglasses 24/7 and a funny hat, have a signature Les Paul-through-Marshall tone and only play arena-sized gigs, it's a fact of life.

Good luck!

Bill
 
Re: Best amp for covers band

Now, here's where I'm coming from. I hate almost all modeling amps, Vox, Line 6 (especially the Spiders), Peavey, Marshall, etc. They all sound like cheap crap. (I haven't tried the Line 6 DT series however). But this Flextone is really amazing. With a "Shortboard" to program it, the possibilities are endless. You can get it in a 1x12 75 watt or 2x12 150 watt stereo.

There's no shame in this, being a guitarist in the analogue realm and using the personally most suitable digital gear for its functionality and flexibility. I think this advice contains wisdom and the best and most compact solution for the OP's question.
 
Re: Best amp for covers band

Thanks for the replies so far everyone, keep 'em coming!

Definitely option 2 Bill! The goal here is to entertain punters in pubs who are very merry and probably won't care about "tones" or being spot-on. Of course we'll learn the arrangement and try to match closely the solos and stuff like that, but I'm very much a plug-in-and-play guy and I think this lineup will be as well!
 
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