Re: Best exercises for finger style?
For the most part, you should just get a bass, and play every day for as long as you can. There are no shortcuts to learning a certain technique. Repetition is the only way.
A few tips:
- The fine control of sustain is everything. What separates a great right hand from a merely adequate one is muting/sustain control. It is as much (if not more) about stopping the note as it is about starting it. Just remember that plucking the strings is only half of the technique (and it's the relatively easy half). Every note as a beginning and an end, you have to be responsible for and in control of both of them, or else you're playing will come across as ****
- Beyond the basics, don't get too hung up on the "textbook" way to do it. If you have any musical feel, it will instinctively guide your plucking and muting so you develop an effective technique for yourself. Again, this goes back to "just play."
- Flatwound strings. These ought to be viewed as the default bass string, especially for fingers. And up until the '70's, they were. Most of the "standard" electric bass technique that is used to this day was developed on these strings. I don't mean this in a limiting, rule-bound way, but in general, flatwounds and fingers go hand-in-hand, and roundwounds and picks go hand-in-hand. I certainly don't follow those guidelines. I use a pick on flatwounds all the time, and if I am playing somebody else's bass that has rounds on it, I'll use my fingers without pause. But I would say that these are pretty fair guidelines to follow if you are just trying to learn the basics of finger plucking. Once you feel you have some control, then experiment away. Curmudgeonly opinions about strings aside, it really is easier to learn to pluck on flats; they are just better suited for that technique.
- Use the heaviest strings you can find. You want a firm, tense string. Floppy = sloppy. Thin strings are harder to control, especially if you are just learning. Thick strings return to the "home" position more quickly and firmly, so it's easier to instinctively know right where they are and go right to them without fumbling or missing. They will also help you build up strength more quickly.
FWIW, I've never personally heard any bass player call it "fingerstyle" in real life. To me, that seems like the kind of word you'd hear in the bass equivalent of those horrible guitar magazines that have guys like Steve Vai, Joe Satriani, and Joe Bonnamassa on the cover.