Best PAF tone ???????

Re: Best PAF tone ???????

Thanks to all, however, I am looking for the tone that most of these guitars specifically produced in some way I realize that wood technique etc... make a differnt however, When I here Billy Gibbons, Charlie Daniels, ABB and these other Southern rockers, It is very much the same, with the difference IMO: amplication and technique to name a few, So an example I guess would be the difference in the famous "GREENY" Les Paul and its tone when Peter Green Played -vs.- Gary Moore playing it, Same guitar, same guitar tone output, different results, So its just that Woody, double tone that I here in all of these guitars I am looking for. All of the famous guys have this tone despite there music such as Page -vs- Duane. I am just looking for help here and am sincere, do not want to create any debate :)

You made mention of a woody tone...get a set of Antiquities and be done with it! I have used a lot of humbucking pickups, most of them PAF style and the Ants do the woody thing better than any of them.
 
Re: Best PAF tone ???????

What would be significant difference? IIRC Fralin's unbuckers have much greater difference, but that would be for coil-cut purposes, right?

The more narrow gauge wire coil would be smaller and thus thinner sounding. So it wouldn't help much with coil cut.

korus said:
And which coil should be with greater DCR, neck-most for both neck and bridge?

DCR is a bit misleading when dealing with different wire gauges because narrower wire has more resistance over the same distance. It's about the number of turns.

But as a general rule, to my ear the neck-facing coil being strongest (most turns) on both pu's sounds best to my ear.
 
Re: Best PAF tone ???????

I never tried the Seths, but the others.

I think this is more guitar than player dependent. You want a balanced sound after it went into the guitar.

Uses, IMHO:
  • Jazz neck: wonderful in dark, aggressive all-mahogany guitars like Explorers to get nice, shiny clean picking sounds. Can be lame otherwise.
  • Antiquity humbuckers: very sensitive to guitar, to guitar controls and playing. Will emphasize a great Les Paul and make anything else sound like double frozen chicken tastes.
  • 59: very dynamic, gets very loud (sound-wise, not volume-wise) very easily. Good for aggressive playing styles when you need something PAFish, when you want trebly, optionally harsh dynamic sound at not too high gain. I would normally only use this in the bridge but if you need something compatibale in neck and bridge for fast-paced switching a 59 neck might be it.
  • APH1: in the bridge, a nicer cruncher in a Les Paul. In the neck it gets slapped around by the Antiquities. On the other hand, it is potted and cheaper so a might still be a good alternative.
  • I didn't "get" the Pearly Gates, but only had a neck one. Maybe I had a bad one.
 
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