StagMag. In series, crunches and sounds like a Distortion with a mid-peak. In parallel, sounds like a Telecaster bridge. Split almost sounds like a Fender notch position by itself.
Allan's clean sounds are among my favorite. I know he used lots of modulated delays set to different times. It also helps to have quite an..um, expanded view of harmony.
^ Yeah it's super classy. Sounds authentic, vintage, clean, detailed and all that, but is still nice and full, and on top of that can crunch really well too.
I knew people would chime in with the typical Seth/Ant. To me, clank isn't really 'beautiful'. It's more of an acquired taste. Super thin isn't really my thing, so I would never recommend it. But some people like it so maybe it would suit the op.
Well, that does sound nice. Didn't realize there were even cleans like that. Thanks for the examples!Sure, man, all great stuff at least I enjoy it
They all had fx on them but ya.
Does Seymour make a Jazz pickup for the bridge position?
Does Seymour make a Jazz pickup for the bridge position?
What a beauty! Imagining you get perfect cleans and beautiful crunch.