ratherdashing
Kablamminator
Re: Best Speaker Cabinet Wire?
There's a good reason it's a good idea to get high quality audio cable, but not "high quality" speaker cable: it all comes down to what kind of signal the cable is carrying.
Audio cable (like what we use to connect a guitar to a pedal board, or a pedal to another pedal, and so on) carries a very high impedance signal (tens of thousands of ohms) with extremely low current. Such a weak signal is highly vulnerable to cable capacitance and RF interference. This is why cable quality can and does make a difference, especially on longer runs (>10 feet).
Speaker cable carries a low impedance signal (whatever the rating of the cab is, pretty much always 16 ohms or less) with much higher current. This relatively strong signal (although it is still very weak compared to wall current, for example) has almost zero vulnerability to capacitance and RF interference. This is why plain ol' stranded copper is just fine.
I don't know which "professional audio engineers" you're dealing with, but when we cut our album my head was on a bench beside me, and my cab was in an iso room 40 feet away. Want to take a guess what kind of cable our platinum-album-making engineer used for that? Yep, it was plain 14 gauge stranded copper wire. This was in a studio with mics worth more than my car, and a board worth more than my house. You'd think they'd splurge on speaker cable too, right? Wrong.
But hey, it's your money. If you want to waste it I won't stop you, especially since you seem hell bent on doing so in spite of good advice and common sense.
There's a good reason it's a good idea to get high quality audio cable, but not "high quality" speaker cable: it all comes down to what kind of signal the cable is carrying.
Audio cable (like what we use to connect a guitar to a pedal board, or a pedal to another pedal, and so on) carries a very high impedance signal (tens of thousands of ohms) with extremely low current. Such a weak signal is highly vulnerable to cable capacitance and RF interference. This is why cable quality can and does make a difference, especially on longer runs (>10 feet).
Speaker cable carries a low impedance signal (whatever the rating of the cab is, pretty much always 16 ohms or less) with much higher current. This relatively strong signal (although it is still very weak compared to wall current, for example) has almost zero vulnerability to capacitance and RF interference. This is why plain ol' stranded copper is just fine.
I don't know which "professional audio engineers" you're dealing with, but when we cut our album my head was on a bench beside me, and my cab was in an iso room 40 feet away. Want to take a guess what kind of cable our platinum-album-making engineer used for that? Yep, it was plain 14 gauge stranded copper wire. This was in a studio with mics worth more than my car, and a board worth more than my house. You'd think they'd splurge on speaker cable too, right? Wrong.
But hey, it's your money. If you want to waste it I won't stop you, especially since you seem hell bent on doing so in spite of good advice and common sense.