Re: Best Speaker Cabinet Wire?
My thoughts go like this : how many pedals do you have between the guitar and amp ? Now, suppose you lose 1% of your signal at each jack plug/socket connection. You could easily be losing ten per cent of your precious signal before it even gets into the amp. With a bunch of pedals, you could be losing twenty per cent.
and what quality of wire do you have inside your guitar ? How good are the solder joints ? How old are the solder joints (because they deteriorate with age).
Then you have to think about every component and every solder joint inside the amp. And the transformers. The quality of the tube pin connections in the tube sockets. Then the quality of the output plugs and sockets. And the solder joints.
So audiophile speaker wire is not going to make much difference when all the stuff i mention comes before the speaker wiring and is more critical.
Besides all of that, guitar amps partly sound the way we like due to some audio imperfections, like the mismatch in the phase inverter circuits and output transformer windings for example. Make a guitar amp too 'audiophile-friendly' and it may well lose some of the characteristics guitar players love about them.
Might be worth thinking about anyway.
Some people can take the fun out of
anything. You can't worry about A, because B makes more of a difference. You can't worry about B because A and C make more of a difference. Etc.
But what if Uncy Jer
wants to worry about A right now, and worry about B and C some other time? It's his A to worry about, isn't it?
I'm always hearing things like, "Well, a different bridge on your Jackson won't make a sonic difference, because of all the distortion and effects that most metal players use." Really? How 'bout the mild crunch and
zero pedals that I use 95% of the time?
Or, "Don't worry about the wood your guitar is made of, or the finish on it, because swapping out the pots for some nerdtacular specialized pots will make more of a difference." I doubt it.
Imagine that -- someone disagreeing with you on what makes a difference (and what doesn't) in guitar tone. Call the police or something, I guess.
On the other hand, Crusty, I like your point about guitar tone being fundamentally different from high-end audio. With hi-fi, we're generally trying to reproduce accurately a sound that has already been made and recorded. In playing guitar, we are the ones doing the creating, and it's up to us to decide what it's supposed to sound like. (Slavishly chasing someone else's tone notwithstanding.) Distortions and "inaccuracies" might be exactly what we're looking for. As Crusty alluded, if your guitar's signal chain had perfectly flat frequency response and zero distortion, you'd probably toss it over in favor of another instrument.